by Louisa Thomas Hargrave ‧ RELEASE DATE: June 1, 2003
The story catches the pioneer feel of the venture: plain, fraught, moments when Hargrave thinks she’s the luckiest person in...
The folksy but original story of bringing into existence Long Island’s first fine winery.
In the heady days of the early 1970s, Hargrave and her husband Alex—after some serious research, though still with a sense of the utopian in the air—bought a potato farm in Cutchogue, on the North Fork, and planted pinot noir, cabernet sauvignon, and sauvignon blanc. What follows is the pleasingly unvarnished tale of the operation, from its fixer-upper days to its wines’ successes at international fairs. While there’s no shortage of strange happenings—an employee turns out to be victim of a slave racket; others are nearly hit by a train that intermittently runs through the farm—what gives this tale its passion is precisely its quotidian character, along with Hargrave’s attentiveness to the unfolding of the vineyard, explaining how she became very much a part of the place: “I would stand in the vineyard after work, closely examining the vines’ leaves . . . stroking the vines’ tendrils. They would curl around my finger, responding to my touch.” For every absurd encounter with the BATF, the DEC, or kindred bureaucratic institutions, there’s a night under the harvest moon when she and her husband climb naked into a tank of must to stomp the grapes; for every piece of lousy professional advice—a Cornell professor tries to subvert the entire operation to fulfill his prophecy that it would be a failure—there’s a neighbor willing to offer a hand. The tone is subdued throughout, prideful yet without glee, for as the vineyard gelled, Hargrave and her husband drifted apart. The sting of that, after all the work, is clear.
The story catches the pioneer feel of the venture: plain, fraught, moments when Hargrave thinks she’s the luckiest person in the world, and then the opposing winds—personal, meteorological, economic—that buffet all settlers to new country.Pub Date: June 1, 2003
ISBN: 0-670-03221-2
Page Count: 256
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2003
Share your opinion of this book
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
Share your opinion of this book
More by E.T.A. Hoffmann
BOOK REVIEW
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
BOOK REVIEW
by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
Share your opinion of this book
More by Ludwig Bemelmans
BOOK REVIEW
developed by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.