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THE VINEYARD

THE PLEASURES AND PERILS OF CREATING AN AMERICAN FAMILY WINERY

The story catches the pioneer feel of the venture: plain, fraught, moments when Hargrave thinks she’s the luckiest person in...

The folksy but original story of bringing into existence Long Island’s first fine winery.

In the heady days of the early 1970s, Hargrave and her husband Alex—after some serious research, though still with a sense of the utopian in the air—bought a potato farm in Cutchogue, on the North Fork, and planted pinot noir, cabernet sauvignon, and sauvignon blanc. What follows is the pleasingly unvarnished tale of the operation, from its fixer-upper days to its wines’ successes at international fairs. While there’s no shortage of strange happenings—an employee turns out to be victim of a slave racket; others are nearly hit by a train that intermittently runs through the farm—what gives this tale its passion is precisely its quotidian character, along with Hargrave’s attentiveness to the unfolding of the vineyard, explaining how she became very much a part of the place: “I would stand in the vineyard after work, closely examining the vines’ leaves . . . stroking the vines’ tendrils. They would curl around my finger, responding to my touch.” For every absurd encounter with the BATF, the DEC, or kindred bureaucratic institutions, there’s a night under the harvest moon when she and her husband climb naked into a tank of must to stomp the grapes; for every piece of lousy professional advice—a Cornell professor tries to subvert the entire operation to fulfill his prophecy that it would be a failure—there’s a neighbor willing to offer a hand. The tone is subdued throughout, prideful yet without glee, for as the vineyard gelled, Hargrave and her husband drifted apart. The sting of that, after all the work, is clear.

The story catches the pioneer feel of the venture: plain, fraught, moments when Hargrave thinks she’s the luckiest person in the world, and then the opposing winds—personal, meteorological, economic—that buffet all settlers to new country.

Pub Date: June 1, 2003

ISBN: 0-670-03221-2

Page Count: 256

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2003

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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