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by Louise Aronson ‧ RELEASE DATE: June 11, 2019
Empathetic, probing, and often emotionally moving narratives on appreciating the power and the pain of aging.
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New York Times Bestseller
Pulitzer Prize Finalist
A noted geriatrician illuminates the facets of old age through a compassionate, philosophical, and humanistic lens.
For Aronson (Medicine/Univ. of California, San Francisco; A History of the Present Illness: Stories, 2013), what began as a relatively rudimentary “old age book” soon morphed into an examination of aging and the human condition encompassing poignant stories and the viewpoints of medical experts, writers, historians, and scientists. Most of the author’s patients are 60 and above, and she approaches their care not just from a wellness angle, but from humanitarian, social, and personal ones as well. She shares harrowing case studies of elderly people who have been misdiagnosed or mistreated by medical professionals. She also examines the ways an ageist modern society and the medical community and its depersonalized treatment protocols continue to fail elderly patients. Aronson rightly believes that these failures must be brought forward as learning tools for the global medical community. The author modestly inserts herself into the narrative, frequently sharing stories about her youth and her medical rotations as well as her father’s struggles with dementia and her mother’s battle with cancer. She also addresses worrisome (and potentially disabling) physical changes and medical issues that appeared much earlier in her life than she’d expected. The narrative is comprehensive, sprawling, and often depressing and somber, featuring sad histories of elder maltreatment and neglect as well as clear examples of ageist ignorance. Nonetheless, the book is beautifully written and offers countless moments of keen insight. Some observances are even startling, as when Aronson pauses to reflect on the societal obsession with anti-aging and accidentally observes the disturbing hairline of a woman with a facelift, her “surgical residua pulling one way and gravity another.” By collectively observing age from diverse perspectives, the author hopes readers (and caregivers) will discover a new appreciation for growing old that is positive, fruitful, and rewarding.
Empathetic, probing, and often emotionally moving narratives on appreciating the power and the pain of aging.Pub Date: June 11, 2019
ISBN: 978-1-62040-546-8
Page Count: 464
Publisher: Bloomsbury
Review Posted Online: March 24, 2019
Kirkus Reviews Issue: April 15, 2019
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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