Borden (Good Luck, Mrs. K!, 1999, etc.) and Kroeger collaborate for the second time (Paperboy, 1996) in this easy biography of the first African-American to earn a pilot’s license. Bessie Coleman was born in 1892, and despite an impoverished childhood and limited education, she became determined to make her mark on the world by learning to fly. Remarkably, she saved enough money to travel to France, the only place where an African-American woman could study aviation, and she earned an international pilot’s license in 1921. She performed at air shows throughout the US, always urging young African-Americans to “fly high” and “be somebody.” Coleman was planning to open her own flight school when she died in a plane crash at the age of 34. Her story is told in a positive, forthright style that reflects Coleman’s lifelong self-education through reading and additional adult-education classes and her strong will to succeed, with an obvious but not preachy message that attitude plus aptitude equals altitude. Flavin’s bright gouache paintings help bring Bessie and her era to life, with carefully researched costumes, airplanes, and backgrounds adding to the authenticity of the story. Readers who can’t handle longer chapter-format biographies will fly right through this thoughtfully designed book, aided by lots of illustrations, short line length, and plentiful white space surrounding the interesting text. Most libraries will want to make room on the biography shelves for this one, which will be useful during Black History Month and for those inevitable biography book-reports. (author’s note) (Biography. 8-11)
Pub Date: Jan. 1, 2001
ISBN: 0-689-82457-2
Page Count: 40
Publisher: McElderry
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2001
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
Ordinary kids in an extraordinary setting: still a recipe for bright achievements and belly laughs.
Rejoice! 25 years later, Wayside School is still in session, and the children in Mrs. Jewls’ 30th-floor classroom haven’t changed a bit.
The surreal yet oddly educational nature of their misadventures hasn’t either. There are out-and-out rib ticklers, such as a spelling lesson featuring made-up words and a determined class effort to collect 1 million nail clippings. Additionally, mean queen Kathy steps through a mirror that turns her weirdly nice and she discovers that she likes it, a four-way friendship survives a dumpster dive after lost homework, and Mrs. Jewls makes sure that a long-threatened “Ultimate Test” allows every student to show off a special talent. Episodic though the 30 new chapters are, there are continuing elements that bind them—even to previous outings, such as the note to an elusive teacher Calvin has been carrying since Sideways Stories From Wayside School (1978) and finally delivers. Add to that plenty of deadpan dialogue (“Arithmetic makes my brain numb,” complains Dameon. “That’s why they’re called ‘numb-ers,’ ” explains D.J.) and a wild storm from the titular cloud that shuffles the school’s contents “like a deck of cards,” and Sachar once again dishes up a confection as scrambled and delicious as lunch lady Miss Mush’s improvised “Rainbow Stew.” Diversity is primarily conveyed in the illustrations.
Ordinary kids in an extraordinary setting: still a recipe for bright achievements and belly laughs. (Fiction. 9-11)Pub Date: March 3, 2020
ISBN: 978-0-06-296538-7
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 28, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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