A devastating, essential journey.
Debut author Finch tackles sexual assault, toxic masculinity, and grief with precision and courage.
James “Spence” Spencer lives in a small English town where he plays rugby with best friends Anthony Mansbridge and Gary “Worm” Worley. Anthony’s constant harassment of women and immense wealth situate him as the respected leader of the group. At a party, Anthony sexually assaults artsy classmate Clara Hart, who flees into the night, drunk and on foot, and is hit by a car and killed. The next day, Spence wakes up to find it is the previous morning; he is stuck in a time loop. As Spence begins each morning desperate to control the events of the coming day and save Clara, he also grapples with its being the first anniversary of his mother’s death. The book’s structure is perfectly paced with superb attention to detail as each day unfolds differently. Reliving events also allows Spence to grow in his own awareness of the impact of Anthony’s devastating behavior while giving space and value to Clara’s and other young women’s stories, showcasing Finch’s strong character development. Some dark humor lightens the heavy mood, but the sexism and misogyny are revisited relentlessly, fully implicating this group of boys who have made countless decisions every day to disrespect the girls in their lives. The centering of a male narrator grappling with grief makes this story required reading, shining a light on patriarchal norms all young men deal with. Major characters read White.
A devastating, essential journey. (Fiction. 14-18)Pub Date: June 13, 2023
ISBN: 9781915071026
Page Count: 288
Publisher: Little Island
Review Posted Online: March 28, 2023
Kirkus Reviews Issue: April 15, 2023
PERSPECTIVES
PERSPECTIVES
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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