by Louise Hare ‧ RELEASE DATE: Aug. 29, 2023
Most notable for its keenly observed portrait of the intricately layered Black society that flourishes in Harlem.
Disembarking from the Queen Mary after a trans-Atlantic tango with murder, a mixed-race British singer finds more of the same in 1936 New York.
When the Broadway gig Lena Aldridge has been promised vanishes upon her arrival, she’s left with no prospects and little cash on hand. Luckily, Will Goodman, the bandleader she took up with on the crossing, gets her settled with his old friends Claudette and Louis Linfield, a librarian and pediatrician who welcome her into their home with bountiful hospitality. In the absence of steady work, Lena resolves to find out why her father, pianist Alfie Aldridge, left New York to return to London and what became of his sister, Jessie, who’s mysteriously vanished. Nor are these the only family ties that keep Lena awake at night, for she doesn’t know quite what to make of bartender Bel Bennett, Will’s half sister, who seems determined to befriend her, and she has an unexpected and unwelcome encounter with Eliza Abernathy, the birth mother from whom she’s long been estranged. Hare, who begins her story with a police officer’s discovery of a woman on the point of death after falling or being pushed from a window of the Linfields’ third-floor apartment, shuttles back and forth between present-day 1936 and 1908, shortly before Alfie left New York for reasons Lena will be both satisfied and shocked to discover.
Most notable for its keenly observed portrait of the intricately layered Black society that flourishes in Harlem.Pub Date: Aug. 29, 2023
ISBN: 9780593439289
Page Count: 352
Publisher: Berkley
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
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by Louise Hare
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by Louise Hare
by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Kathy Reichs
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by Kathy Reichs
by Seishi Yokomizo ; translated by Louise Heal Kawai ‧ RELEASE DATE: Sept. 15, 2026
The delightful debut of a classic, prolific detective.
It takes a quirky sleuth to solve a baffling closed-door murder.
The author himself or, more accurately, some version of him, walks the reader through a “gruesome murder” that occurred in a rural farming village. At the center of the crime is the wealthy Ichiyanagi family, including the widow Itoko and her five children. The “heinous crime” occurs in the evening after the festive wedding of eldest son Kenzo to schoolteacher Katsuko. Yokomizo, part narrator and part raconteur, liberally shares digressions such as the fact that his favorite British author is A.A. Milne, who wrote The Red House Mystery as well as the books about Winnie-the-Pooh. Written in 1946 but set in 1937 before the devastation of World War II, this is the first novel featuring Kosuke Kindaichi, the legendary detective who appeared in more than 70 stories by Yokomizo. If Yokomizo is the Japanese Agatha Christie, Kindaichi may seem the Japanese Hercule Poirot—although actually, given his unkempt hair and apparently distracted manner, he’s more a cross between Poirot and Columbo. Shrewdly, his entrance is delayed until midway through the novel, after the police have stalled and both the family and the reader are anxious for a solution. The narrator’s garrulous charm, in a mystery long on logistics and forensic clues but short on detailed character portraits or extended interactions, is a key to the novel’s success, leavening the more intricate pieces of the puzzle. Armchair detectives will welcome the helpful character list that precedes the story.
The delightful debut of a classic, prolific detective.Pub Date: Sept. 15, 2026
ISBN: 9781805336549
Page Count: 192
Publisher: Pushkin Vertigo
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
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by Seishi Yokomizo ; translated by Jesse Kirkwood
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by Seishi Yokomizo ; translated by Bryan Karetnyk
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