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Familiar moments for children in growing families.

Toby feels displaced in his elephant family thanks to his needy baby sister, Iris.

Like most young children, even anthropomorphic elephant ones, Toby is eager to be considered “big” and do things on his own. But being a big boy isn’t quite as exciting as Toby thought it would be when he realizes it comes at the expense of Mama’s attention, now devoted to his baby sister, Iris. Peacock’s text certainly includes accurate examples of Toby doing things “All By Himself” (yes, with the caps!), such as buttoning his coat (out of alignment) and putting on (two different) rain boots. And young readers with little siblings will certainly relate to the feelings of displacement. Pym’s illustrations—done in watercolor, colored pencils, and potato stamps—are charming and full of detail. When Toby is proudly explaining his milk-pouring and book-reading skills, he’s actually spilling milk out of the bowl and reading a book upside down. Toby ultimately decides to run away (that’ll show Mama!), packing his suitcase with a toothbrush, trumpet, and toys, a true preschooler moment. In the end, Mama reassures him with the tired cliché that he’ll “always be [her] baby.” This ending reads like a missed opportunity to instead affirm all of the ways Toby (or a young reader) is in fact a successful “big boy,” no longer a baby.

Familiar moments for children in growing families. (Picture book. 3-5)

Pub Date: July 9, 2019

ISBN: 978-1-9848-4769-0

Page Count: 32

Publisher: Schwartz & Wade/Random

Review Posted Online: March 30, 2019

Kirkus Reviews Issue: April 15, 2019

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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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A caregiving bear shares with its cub how love has defined their relationship from the first moment and through the years as the cub has grown.

With rhymes and a steady rhythm that are less singsong-y than similar books, Stansbie seems to have hit a sweet spot for this offering on the I-love-you-always shelf. Readers follow the adult and child as they share special moments together—a sunset, a splash in a pond, climbing a tree, a snuggle—and the adult tells the child that the love it feels has only grown. Stansbie also takes care not to put promises in the adult bear’s mouth that can’t be delivered, acknowledging that physical proximity is not always possible: “Wherever you are, / even when we’re apart… // I’ll love you forever / with all of my heart.” The large trim size helps the sweet illustrations shine; their emphasis is on the close relationship between parent and child. Shaped peekaboo windows offer glimpses of preceding and succeeding pages, images and text carefully placed to work whatever the context. While the die cuts on the interior pages will not hold up to rough handling, they do add whimsy and delight to the book as a whole: “And now that you’re bigger, / you make my heart sing. / My / beautiful / wonderful / magical / thing.” Those last three adjectives are positioned in leaf-shaped cutouts, the turn of the page revealing the roly-poly cub in a pile of leaves, three formed by the die-cuts. Opposite, three vignettes show the cub appreciating the “beautiful,” the “wonderful,” and the “magical.”

Sweet. (Picture book. 3-5)

Pub Date: Dec. 3, 2019

ISBN: 978-1-68412-910-2

Page Count: 32

Publisher: Silver Dolphin

Review Posted Online: Oct. 12, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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