Rose Zarelli 2.0 is centered and in control, or at least that is the plan.
Sophomore year finds 15-year-old Rose slogging through familiar territory (Confessions of an Angry Girl, 2012). Drunken parties, secret make-out sessions and screaming matches with her mother are only some of Rose’s extracurricular activities. Despite her determination not to obsess about bad-boy Jamie Forta, Rose quickly assumes the role of his pining, not-quite girlfriend. Everyone around her, however, seems to be moving forward. Robert has a girlfriend. Tracy has ditched cheerleading to become a fashionista. Even quiet Stephanie is cast in the school musical. But when her mother starts dating, and her brother, Peter, is kicked out of college for using drugs, Rose’s new persona shatters, forcing her to find her own voice, literally. The inclusion of issues such as homophobia, domestic violence and the reality of hate crimes fails to elevate this beyond barely camouflaged pulp. Rose’s determination to change is undermined by her complete lack of self-discipline. Her failure to move past old patterns is only marginally mitigated by her newfound passion for singing. While this new obsession is promising, it is not enough to rescue this sequel.
Depressingly familiar. (Fiction. 14 & up)Pub Date: June 25, 2013
ISBN: 978-0-373-21065-7
Page Count: 288
Publisher: Harlequin Teen
Review Posted Online: May 29, 2013
Kirkus Reviews Issue: June 15, 2013
Categories: TEENS & YOUNG ADULT ROMANCE | TEENS & YOUNG ADULT SOCIAL THEMES
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BOOK REVIEW
Riveting, brutal and beautifully told.
26
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A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 17, 2014
Kirkus Reviews Issue: April 1, 2014
Categories: TEENS & YOUNG ADULT FAMILY | TEENS & YOUNG ADULT SOCIAL THEMES
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PROFILES
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
20
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After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 4, 2016
Kirkus Reviews Issue: May 15, 2016
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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