Appealing though overly earnest story about family love, romantic love and systematic racial oppression. Sixteen-year-old Serena lives with her slightly older sister and her sister’s toddler. Serena and her sister are ma’hane: outcast from their own tribe because the child was born out of wedlock. A social worker finds an intentional cigarette burn on the toddler’s foot and seizes her. Ruling-class, light-skinned Gorgios run the society; brown-skinned Yulang tribes (such as the Kereskedo, Serena’s tribe, and the Parias, lowest of all) have little hope for justice. Each tribe has one profession (trading, music, etc). Despite cars and some random modern details (fax, tuna sandwich), the setting feels pre-Industrial and craft-focused. Sparring and helping each other, Serena and a young man from another tribe travel, collect gems and force their way into the Kereskedo tribe on the quest to reclaim the toddler and achieve their own life dreams. Spiegler writes characters, arts and slow-blooming romance with warmth and vigor. Unsubtle but heartfelt. (Fantasy. 11-14)
Pub Date: Sept. 12, 2005
ISBN: 0-618-48572-4
Page Count: 336
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2005
BOOK REVIEW
There’s violence and gore in profusion, cool gear, hot wheels, awesome feats, inner conflicts on both sides—all that’s...
A straight-up Marvel Comics–style action drama featuring a small band of human assassins taking on costumed, superpowered supervillains with melodramatic monikers.
It’s certainly a tried-and-true formula. Twelve years ago, a mysterious Calamity began turning random ordinary humans into evil Epics gifted with various combinations of superpowers (and also, always, some Achilles heel). Now, 18-year-old David Charleston manages at last to make contact with a cell of Epic-killing Reckoners led by legendary mastermind Jon Phaedrus. Then it’s on to a nonstop thrill ride that begins with the killing of David’s father 10 years before and roars through car and motorcycle chases, secret missions, huge explosions and hails of gunfire with high-tech weaponry to a climactic battle with Epic Steelheart. He’s bulletproof, shoots energy balls, has transformed the entire Chicago area into solid steel with a wave of his hand and wears a stylish silver cape. Shockingly, the book closes with the stunning revelation than not all Epics are evil through and through. As further sign that Sanderson (Rithmatist, 2013, etc.) isn’t taking any of this too seriously, the cast of Epics includes not only the likes of Steelheart, Faultline and Deathpoint, but Pink Pinkness and El Brass Bullish Dude, and some of their powers are equally silly. Stay tuned for sequels.
There’s violence and gore in profusion, cool gear, hot wheels, awesome feats, inner conflicts on both sides—all that’s missing are the pictures. (Fantasy. 11-14)Pub Date: Sept. 24, 2013
ISBN: 978-0-385-74356-3
Page Count: 400
Publisher: Delacorte
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel.
A Holocaust tale with a thin “Hansel and Gretel” veneer from the author of The Devil’s Arithmetic (1988).
Chaim and Gittel, 14-year-old twins, live with their parents in the Lodz ghetto, forced from their comfortable country home by the Nazis. The siblings are close, sharing a sign-based twin language; Chaim stutters and communicates primarily with his sister. Though slowly starving, they make the best of things with their beloved parents, although it’s more difficult once they must share their tiny flat with an unpleasant interfaith couple and their Mischling (half-Jewish) children. When the family hears of their impending “wedding invitation”—the ghetto idiom for a forthcoming order for transport—they plan a dangerous escape. Their journey is difficult, and one by one, the adults vanish. Ultimately the children end up in a fictional child labor camp, making ammunition for the German war effort. Their story effectively evokes the dehumanizing nature of unremitting silence. Nevertheless, the dense, distancing narrative (told in a third-person contemporaneous narration focused through Chaim with interspersed snippets from Gittel’s several-decades-later perspective) has several consistency problems, mostly regarding the relative religiosity of this nominally secular family. One theme seems to be frustration with those who didn’t fight back against overwhelming odds, which makes for a confusing judgment on the suffering child protagonists.
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel. (author’s note) (Historical fiction. 12-14)Pub Date: March 6, 2018
ISBN: 978-0-399-25778-0
Page Count: 432
Publisher: Philomel
Review Posted Online: Dec. 20, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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