Colorful characters animate this magical tale with an environmental message.
A teenage girl, along with frog royalty, fights to restore order by reuniting the human and frog worlds in this debut fantasy and prospective-trilogy launch.
Nora Peters’ life in a tiny Pacific Northwest town has certainly not been easy. The almost-18-year-old recently lost her father in an apparent shooting accident that she thinks was murder. Now she has only her grandmother; Nora’s mom died when Nora was 10. The teen’s enameled frog pin, which once belonged to her mother, pushes her life in unexpected directions. Over in the frog world, Queen Ranya prepares for the annual Ceremony of Renewal. It’s meant to affirm cooperation between “the natural world” and the largetoe, or human, world. The ceremony, however, hasn’t been authentic in years. The ritual requires the Golden Pearl of the Forest, which someone has stolen. When word gets around that a femtoe—Nora—has the Pearl, frogs and others, including the Elementos (the elements’ spiritual essences), track her down. Some would just as soon kill Nora to recover the cherished object. But Prince “Azzie” Azzumundo has a much more peaceful solution: invite Nora to the ceremony as the largetoe representative. This throws the natural world into bedlam as nefarious types gunning for Nora, like a power-hungry frog lord, face off against the likes of Azzie’s valiant cousin Princess Linka, who, in protecting the Pearl, also protects Nora. Unfortunately, time is running out. The Pink Moon, another prerequisite for the ceremony, rises in mere days.
Brown’s epic opening installment pits Nora against many villains. Ever hostile largetoe Carl Kincade, for one, claims the girl’s father signed away the family’s property and tree farm—supposedly on the day he died. This only heightens Nora’s later troubles; she isn’t always sure who or what is coming after her. The cast comprises various frog species, like poison, zombie, and tree frogs. Although they occasionally do humanlike things (e.g., speak or brandish weapons), they’re still frogs. They’re much smaller than largetoes and hop from place to place. Irresistible hero Nora not only saves one of them, but, like her late father, she’s an environmentalist, which aligns her with the amphibians who believe her kind is hurting the planet. Nora’s friends form a diverse bunch, from Kameela Bashir, daughter of Somalian refugees, to Minh Phan, whose family hails from Vietnam. An Indigenous friend is described as belonging to a “local tribe,” but no additional information is given. Sadly, none of these teens appear often enough to develop individual personalities. Seth is the exception; he’s a complicated romantic interest, and Nora struggles to remember that he’s not like his abhorrent father, Carl. The storyline features welcome mysteries and subplots regarding, for example, the deaths of Nora’s parents and Queen Ranya’s ascendance to the throne. Brown writes well, portraying an area of clear-cutting as “a field of battle” with “arm-like limbs, slain body-like trunks, stumps, tangled roots.” She’s also a skilled artist, adorning some pages with sublime abstract collages. Readers hoping for answers won’t be disappointed, though there’s a hint of where the planned sequel is headed.
Colorful characters animate this magical tale with an environmental message.Pub Date: March 20, 2022
ISBN: 979-8985691207
Page Count: 550
Publisher: Sequoia Grove Books
Review Posted Online: April 15, 2022
Review Program: Kirkus Indie
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.
Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.
Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.Pub Date: Sept. 23, 2025
ISBN: 9780593972700
Page Count: 1040
Publisher: Del Rey
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
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