MONSTERS

“Long ago, people believed in monsters. They thought there were monsters on land, in the sea, and in the sky. What else could cause so many scary things?...People thought earthquakes must be caused by fighting giants. They thought volcanoes came from dragons breathing fire.” Random’s Stepping Stones easy chapter-book series slips into slightly scary territory with this followup to Mermaids (2008), Unicorns (2005) and Dragons (2004). Alternating very short stories told in italics with explications of legend, folktale and myth presented in plain type, Penner quickly profiles monsters of various eras and cultures. She name-checks the famous—Medusa, the Kraken and harpies—as well as their lesser-known brethren—kappas, bunyips and tengus. Douglas’s detailed, full-color illustrations complement the stories nicely and add an extra bit of scariness. As with past volumes, the transitions between stories and “fact” are indistinct despite the typographical cues. Newly independent readers seeking the spooky, the mythical or the monstrous may not notice or mind. A good introduction to folklore for young fantasy lovers. (Folklore. 6-10)

Pub Date: Aug. 25, 2009

ISBN: 978-0-375-85675-4

Page Count: 48

Publisher: Random House

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 1, 2009

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A reasonably solid grounding in constitutional rights, their flexibility, lacunae, and hard-won corrections, despite a few...

WHAT'S THE BIG DEAL ABOUT FREEDOM

Shamir offers an investigation of the foundations of freedoms in the United States via its founding documents, as well as movements and individuals who had great impacts on shaping and reshaping those institutions.

The opening pages of this picture book get off to a wobbly start with comments such as “You know that feeling you get…when you see a wide open field that you can run through without worrying about traffic or cars? That’s freedom.” But as the book progresses, Shamir slowly steadies the craft toward that wide-open field of freedom. She notes the many obvious-to-us-now exclusivities that the founding political documents embodied—that the entitled, white, male authors did not extend freedom to enslaved African-Americans, Native Americans, and women—and encourages readers to learn to exercise vigilance and foresight. The gradual inclusion of these left-behind people paints a modestly rosy picture of their circumstances today, and the text seems to give up on explaining how Native Americans continue to be left behind. Still, a vital part of what makes freedom daunting is its constant motion, and that is ably expressed. Numerous boxed tidbits give substance to the bigger political picture. Who were the abolitionists and the suffragists, what were the Montgomery bus boycott and the “Uprising of 20,000”? Faulkner’s artwork conveys settings and emotions quite well, and his drawing of Ruby Bridges is about as darling as it gets. A helpful timeline and bibliography appear as endnotes.

A reasonably solid grounding in constitutional rights, their flexibility, lacunae, and hard-won corrections, despite a few misfires. (Informational picture book. 6-10)

Pub Date: May 2, 2017

ISBN: 978-0-399-54728-7

Page Count: 32

Publisher: Philomel

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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One of those rare thrillers whose answers are even more scarifying than its mysteries.

AFTER ALL I'VE DONE

A middle-aged woman sidelined by a horrific accident finds even sharper pains waiting on the other side of her recuperation in this expert nightmare by Hardy, familiar to many readers as Megan Hart, author of All the Secrets We Keep (2017), etc.

Five months ago, while she was on her way to the hospital with an ailing gallbladder, Diana Sparrow’s car hit a deer on a rural Pennsylvania road. When she awoke, she was minus her gallbladder, two working collarbones (and therefore two functioning arms), and her memory. During a recovery that would’ve been impossible without the constant ministrations of Harriett Richmond, the mother-in-law who’s the real reason Diana married her husband, Jonathan, Diana’s discovered that Jonathan has been cheating on her with her childhood friend Valerie Delagatti. Divorce is out of the question: Diana’s grown used to the pampered lifestyle the prenup she’d signed would snatch away from her. Every day is filled with torments. She slips and falls in a pool of wine on her kitchen floor she’s sure she didn’t spill herself. At the emergency room, her credit card and debit card are declined. She feels that she hates oppressively solicitous Harriett but has no idea why. Her sessions with her psychiatrist fail to heal her rage at her adoptive mother, an addict who abandoned her then returned only to disappear again and die an ugly death. Even worse, her attempts to recover her lost memory lead to an excruciatingly paced series of revelations. Val says Diana asked her to seduce Jonathan. Diana realizes that Cole, a fellow student in her watercolor class, isn’t the stranger she’d thought he was. Where can this maze of deceptions possibly end?

One of those rare thrillers whose answers are even more scarifying than its mysteries.

Pub Date: Nov. 10, 2020

ISBN: 978-1-64385-470-0

Page Count: 310

Publisher: Crooked Lane

Review Posted Online: Aug. 19, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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Go adventuring with a better guide.

50 ADVENTURES IN THE 50 STATES

From the The 50 States series

Find something to do in every state in the U.S.A.!

This guide highlights a location of interest within each of the states, therefore excluding Washington, D.C., and the territories. Trivia about each location is scattered across crisply rendered landscapes that background each state’s double-page spread while diminutive, diverse characters populate the scenes. Befitting the title, one “adventure” is presented per state, such as shrimping in Louisiana’s bayous, snowshoeing in Connecticut, or celebrating the Fourth of July in Boston. While some are stereotypical gimmes (surfing in California), others have the virtue of novelty, at least for this audience, such as viewing the sandhill crane migration in Nebraska. Within this thematic unity, some details go astray, and readers may find themselves searching in vain for animals mentioned. The trivia is plentiful but may be misleading, vague, or incorrect. Information about the Native American peoples of the area is often included, but its brevity—especially regarding sacred locations—means readers are floundering without sufficient context. The same is true for many of the facts that relate directly to expansion and colonialism, such as the unexplained near extinction of bison. Describing the genealogical oral history of South Carolina’s Gullah community as “spin[ning] tales” is equally brusque and offensive. The book tries to do a lot, but it is more style than substance, which may leave readers bored, confused, slightly annoyed—or all three. (This book was reviewed digitally with 12.2-by-20.2-inch double-page spreads viewed at 80% of actual size.)

Go adventuring with a better guide. (tips on local adventuring, index) (Nonfiction. 8-10)

Pub Date: Oct. 6, 2020

ISBN: 978-0-7112-5445-9

Page Count: 112

Publisher: Wide Eyed Editions

Review Posted Online: July 28, 2020

Kirkus Reviews Issue: Aug. 15, 2020

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