A thoughtful and colorful biography of one of Mexico’s most prolific artists.
A plunge into Frida Kahlo’s trailblazing life as an artist.
A relentless, self-taught artist, Kahlo did not let her battle with polio and her bus accident keep her from painting. Instead, her father helped her paint from bed by building her an easel that allowed her to paint lying down. This entry in the Portrait of an Artist series focuses on Kahlo’s magical realism in her paintings, presenting her as the dreamer of “fantastical scenes.” Kahlo’s relationship with fellow artist Diego Rivera is touched upon. However, neither the relationship nor its turbulence is the main focus of the text, as Brownridge chooses to display Kahlo as an artist in her own right. In addition, the text contains information on the “firsts” that Kahlo achieved: the first exhibition in New York City by a Mexican and the first Mexican in a Louvre gallery. Dieckmann’s illustrations, made with both traditional and digital media, show the vibrancy of life with which Kahlo surrounded herself and often follow the color palette established in the painting shown on the page. In a similar way, Édith Carron uses bright colored pencils in Brownridge’s book about Dutch artist Vincent Van Gogh to complement his style. An invitation to visit Kahlo’s “bright blue house,” now a museum, leaves readers desirous to learn more.
A thoughtful and colorful biography of one of Mexico’s most prolific artists. (Picture book/biography. 4-7)Pub Date: Sept. 3, 2019
ISBN: 978-1-78603-642-1
Page Count: 32
Publisher: Wide Eyed Editions
Review Posted Online: June 9, 2019
Kirkus Reviews Issue: July 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A brief but sweet snapshot of an inspiring girl who finds hope in song.
Through the power of music, Lucimarian Tolliver is reminded of what’s important.
Lucy is one of the only children of African descent on her block—called Lucy Street—in 1930s Akron, Ohio, but all her neighbors share one commonality: poverty. Lucy’s carefree spirit is dampened when her family’s furniture is repossessed one day. She visits her grandfather, who comforts her by singing the folk standard “This Little Light of Mine.” Grandpa tells Lucy that she’s destined for greatness and that she should never stop singing, even through life’s toughest moments. Back at home, Lucy’s father scolds her for singing at the dinner table, so she quickly finishes eating and wanders outside and sings into the night. Her voice reaches her family and neighbors, who are all touched by her song. Digital illustrations evoke the time period in muted tones, featuring endearing characters with simple yet expressive features. The visual subject matter is repetitive from page to page, as are the incorporated lyrics of “This Little Light of Mine.” Based on Lucimarian Tolliver’s experiences growing up during the Depression, the text contains an epilogue but lacks backmatter detailing historical context or more information about Lucy’s life. Though the themes of optimism and the importance of family, faith, and music shine through the text, readers may be left with more questions than answers.
A brief but sweet snapshot of an inspiring girl who finds hope in song. (Picture-book biography. 5-7)Pub Date: May 20, 2025
ISBN: 9780063222540
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
It’s a bit sketchy of historical detail, but it’s coherent, inspirational, and engaging without indulging in rapturous...
A first introduction to the iconic civil rights activist.
“She was very little and very brave, and she always tried to do what was right.” Without many names or any dates, Kaiser traces Parks’ life and career from childhood to later fights for “fair schools, jobs, and houses for black people” as well as “voting rights, women’s rights and the rights of people in prison.” Though her refusal to change seats and the ensuing bus boycott are misleadingly presented as spontaneous acts of protest, young readers will come away with a clear picture of her worth as a role model. Though recognizable thanks to the large wire-rimmed glasses Parks sports from the outset as she marches confidently through Antelo’s stylized illustrations, she looks childlike throughout (as characteristic of this series), and her skin is unrealistically darkened to match the most common shade visible on other African-American figures. In her co-published Emmeline Pankhurst (illustrated by Ana Sanfelippo), Kaiser likewise simplistically implies that Great Britain led the way in granting universal women’s suffrage but highlights her subject’s courageous quest for justice, and Isabel Sánchez Vegara caps her profile of Audrey Hepburn (illustrated by Amaia Arrazola) with the moot but laudable claim that “helping people across the globe” (all of whom in the pictures are dark-skinned children) made Hepburn “happier than acting or dancing ever had.” All three titles end with photographs and timelines over more-detailed recaps plus at least one lead to further information.
It’s a bit sketchy of historical detail, but it’s coherent, inspirational, and engaging without indulging in rapturous flights of hyperbole. (Picture book/biography. 5-7)Pub Date: Sept. 7, 2017
ISBN: 978-1-78603-018-4
Page Count: 32
Publisher: Frances Lincoln
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
BOOK REVIEW
BOOK REVIEW
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