by Lucy Cousins ; illustrated by Lucy Cousins ‧ RELEASE DATE: Sept. 8, 2020
The frolicking diversion validates a child’s imaginative ability in an engaging bedtime scenario.
Three-year-old Gabriel encourages various family members to playact monsters in a cavorting game of chase around the house.
Eager to participate, older sib Josie becomes “green and scary, / with sharp, pointy teeth / and feet that are hairy.” Uncle Rufus sprouts imaginary “horns like a cow / and a tail like a pig.” The family pet, Kitty Cat, has “long sharp claws, / all scritchy and scratchy,” and Nonna becomes a “bright-pink jelly / with big round eyes / and feet that are smelly.” While the monsters chase the child, Gabriel easily escapes, chortling “Hee, hee, hee! / But you can’t catch me!” in a continual refrain that kids will easily repeat. The rhyming text is as much fun to recite as the game of chase is to watch. The story unfolds with comforting predictability, Gabriel inviting play on one double-page spread and on the next gleefully running away from the humorously transformed family member. Cousins’ signature, childlike black-outlined drawings in bold primary colors enhance the romp all the way to the last dinosaurlike monster, Mommy, who has spikes on her back and gobbles little boys up. Just as the day is ending, Gabriel is caught and, not surprisingly, becomes his own monster “with a funny green head, / who is tired and sleepy / and ready for bed.” Gabriel, Uncle Rufus, Nonna, and Mommy all present white; Josie is a child of color.
The frolicking diversion validates a child’s imaginative ability in an engaging bedtime scenario. (Picture book. 3-5)Pub Date: Sept. 8, 2020
ISBN: 978-1-5362-1060-6
Page Count: 32
Publisher: Candlewick
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
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by Jimmy Fallon ; illustrated by Miguel Ordóñez ‧ RELEASE DATE: June 9, 2015
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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SEEN & HEARD
by Christian Robinson ; illustrated by Christian Robinson ‧ RELEASE DATE: May 12, 2026
A powerful affirmation for all dads—the good, the flawed, and those doing the best they can.
Dedicating his latest to “caregivers who give what they never got,” Caldecott Honor winner Robinson explores complicated feelings around fatherhood.
From the outset, the book appears to be a standard-issue Father’s Day offering, pairing brief, loving sentiments with images of animals. But it soon becomes clear that Robinson has crafted something much more complex. A frog with tadpoles nestled atop his back (“Dad is here”) is followed by an illustration of an owl leaving the nest (“Dad had to go away”). More contrasts are presented: a seahorse keeping his offspring safe in his pouch (“Dad holds on tight”), two shark pups swimming away from their frenzied-looking patriarch (“Dad need lots of space”). “Dad lets you down and makes mistakes” (a porcupine accidentally jabs his little one), but “Dad picks you up and makes you feel safe” (a lion snuggles his cub). And the human fathers we meet next—diverse in skin tone and ability—are equally multifaceted. Robinson outdoes himself, his bold and richly textured paint and collage artwork popping against the background. His artwork is rife with subtleties for careful readers—for instance, the look of uncertainty in the eyes of the gorilla father described as “strong.” For all its simplicity, this colorful book is laden with meaning, depicting fathers as vulnerable, imperfect, gentle, and empathetic—in a word, deeply human.
A powerful affirmation for all dads—the good, the flawed, and those doing the best they can. (more information on the animals presented) (Picture book. 3-5)Pub Date: May 12, 2026
ISBN: 9781250397041
Page Count: 48
Publisher: Balzer + Bray
Review Posted Online: Dec. 12, 2025
Kirkus Reviews Issue: Jan. 15, 2026
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