Riveting, humanizing and real.

TWO GIRLS STARING AT THE CEILING

Using innovative page design, Frank crafts an unflinching look at illness.

In the emergency room at 4 a.m., Chess is whisked into invasive medical testing—a colonoscopy—and then into a hospital room. She’s had severe gastrointestinal symptoms before, but this is her first diagnosis: the chronic, autoimmune disorder Crohn’s, an inflammatory bowel disease. Her roommate, Shannon, has Crohn’s, too. Their conversations—acerbic, worried, snippy—progress down each page in fast-reading columns of verse. When the curtain between their beds is closed, a vertical line appears between Chess’ text column and Shannon’s, emphasizing the room’s physicality and restriction. A doctor calls Crohn’s “tough and / unpredictable”; Chess finds it disgusting (“gross green bubbles / glub up from my insides, / slip down the tube”), painful (her insides “burn”) and humiliating—especially the mortifying incident that sent her to the emergency room. Chess laughs until she cries, and then “the rage flows, / shocking and unstoppable / as shit.” Her future holds prescriptions, side effects, food restrictions, flare-ups—and remissions. Frank’s portrayal of chronic, mostly invisible sickness is spot-on. Illness isn’t metaphor, it isn’t a consequence, it isn’t a literary vehicle—it’s a precarious and uprooting fact of life, inconvenient and enraging, but not the end of the world.

Riveting, humanizing and real. (Verse fiction. 13-17)

Pub Date: Aug. 5, 2014

ISBN: 978-0-307-97974-2

Page Count: 272

Publisher: Schwartz & Wade/Random

Review Posted Online: May 28, 2014

Kirkus Reviews Issue: June 15, 2014

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A satisfying if slightly lesser sequel. (Romance. 13-17)

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  • Asian/Pacific American Award for Literature Winner

P.S. I STILL LOVE YOU

From the To All the Boys I've Loved Before series , Vol. 2

Lara Jean's romantic entanglements complicate themselves further.

In the wake of the events detailed in To All the Boys I Loved Before (2014), Lara Jean confesses her love for handsome golden boy Peter. This frees the pair to start a romantic relationship with a clean slate, but over the course of the novel it becomes clear that embarking on a relationship that turns an aggressive blind eye to baggage is never a good idea. When a viral video of a steamy love session between Peter and Lara Jean rears its ugly head and a boy from the past enters Lara Jean's life once more, Lara Jean's life gets complicated. Every character from Han’s adored previous novel is back, with new dimensions given to nearly every one of them. Subplots abound, among them two involving Lara Jean's father and Peter's ex-gal Genevieve, but benefitting most from this second look is John Ambrose McClaren, a boy briefly referenced in the former book who is thrust into the spotlight here as Peter's rival for Lara Jean's heart. With all these characters bouncing around, Han occasionally struggles to keep a steady hand on the novel's primary thrust: Lara Jean’s emotional development. Han gets the job done in the end, but this overeventful sequel pales to the original where structure is concerned. The author's greatest success remains her character work, and the book does indeed give everyone a solid arc, narrative be damned.

A satisfying if slightly lesser sequel. (Romance. 13-17)

Pub Date: May 26, 2015

ISBN: 978-1-4424-2673-3

Page Count: 352

Publisher: Simon & Schuster

Review Posted Online: July 4, 2015

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Mouths have never run so dry at the idea of thirst.

DRY

When a calamitous drought overtakes southern California, a group of teens must struggle to keep their lives and their humanity in this father-son collaboration.

When the Tap-Out hits and the state’s entire water supply runs dry, 16-year-old Alyssa Morrow and her little brother, Garrett, ration their Gatorade and try to be optimistic. That is, until their parents disappear, leaving them completely alone. Their neighbor Kelton McCracken was born into a survivalist family, but what use is that when it’s his family he has to survive? Kelton is determined to help Alyssa and Garrett, but with desperation comes danger, and he must lead them and two volatile new acquaintances on a perilous trek to safety and water. Occasionally interrupted by “snapshots” of perspectives outside the main plot, the narrative’s intensity steadily rises as self-interest turns deadly and friends turn on each other. No one does doom like Neal Shusterman (Thunderhead, 2018, etc.)—the breathtakingly jagged brink of apocalypse is only overshadowed by the sense that his dystopias lie just below the surface of readers’ fragile reality, a few thoughtless actions away. He and his debut novelist son have crafted a world of dark thirst and fiery desperation, which, despite the tendrils of hope that thread through the conclusion, feels alarmingly near to our future. There is an absence of racial markers, leaving characters’ identities open.

Mouths have never run so dry at the idea of thirst. (Thriller. 13-17)

Pub Date: Oct. 2, 2018

ISBN: 978-1-4814-8196-0

Page Count: 400

Publisher: Simon & Schuster

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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