by Lucy Grealy ‧ RELEASE DATE: Sept. 27, 1994
A gracefully written account of one woman's physical and spiritual struggle to surmount childhood cancer, permanent disfigurement, and, ultimately, ``the deep bottomless grief...called ugliness.'' After surviving relentless medical horrors—the removal at age nine of half her jaw due to Ewing Sarcoma, two and a half years of chemotherapy, and two years of reconstructive surgery—Grealy's true battle begins when she looks in the mirror and finds herself trapped behind a face, in a ``self'' that she hates, and for which her peers cruelly punish her. Once a buoyant, sociable tomboy, Grealy, through her suffering, becomes isolated—finding human comfort mainly among the patients she meets in her numerous hospital stays. She writes, ``I felt as if my illness were a blanket the world had thrown over me.... And somehow I transformed that blanket into a tent, beneath which I almost happily set up camp.'' Still a young girl, she must cope not only with her own fear but with the awkwardly expressed fears of her parents as well. Eventually, as she grows up, she finds solace and inspiration in the company of horses and other animals, and as a young adult, she cultivates an enriching inner life through reading, and later writing. Now an award-winning poet and essayist (a short version of her tale originally appeared in Harper's and received a National Magazine Award), Grealy's tale ends not with magical deliverance, but with hard-won self-acceptance. Nearly two decades and 30 surgical procedures later, Grealy finally stops waiting for her life to begin and comes to terms with her face—her ``self.'' An unsentimental, honest, unflinching look at a single visage reflected (or distorted) in an unforgiving cultural mirror. A strong debut.
Pub Date: Sept. 27, 1994
ISBN: 0-395-65780-6
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1994
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by Lucy Grealy
by Joan Didion ‧ RELEASE DATE: Oct. 19, 2005
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier...
Awards & Accolades
National Book Award Winner
Pulitzer Prize Finalist
National Book Critics Circle Finalist
A moving record of Didion’s effort to survive the death of her husband and the near-fatal illness of her only daughter.
In late December 2003, Didion (Where I Was From, 2003, etc.) saw her daughter, Quintana Roo Dunne, hospitalized with a severe case of pneumonia, the lingering effects of which would threaten the young woman’s life for several months to come. As her daughter struggled in a New York ICU, Didion’s husband, John Gregory Dunne, suffered a massive heart attack and died on the night of December 30, 2003. For 40 years, Didion and Dunne shared their lives and work in a marriage of remarkable intimacy and endurance. In the wake of Dunne’s death, Didion found herself unable to accept her loss. By “magical thinking,” Didion refers to the ruses of self-deception through which the bereaved seek to shield themselves from grief—being unwilling, for example, to donate a dead husband’s clothes because of the tacit awareness that it would mean acknowledging his final departure. As a poignant and ultimately doomed effort to deny reality through fiction, that magical thinking has much in common with the delusions Didion has chronicled in her several previous collections of essays. But perhaps because it is a work of such intense personal emotion, this memoir lacks the mordant bite of her earlier work. In the classics Slouching Toward Bethlehem (1968) and The White Album (1979), Didion linked her personal anxieties to her withering dissection of a misguided culture prey to its own self-gratifying fantasies. This latest work concentrates almost entirely on the author’s personal suffering and confusion—even her husband and daughter make but fleeting appearances—without connecting them to the larger public delusions that have been her special terrain.
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier writing.Pub Date: Oct. 19, 2005
ISBN: 1-4000-4314-X
Page Count: 192
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
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SEEN & HEARD
by Joy Harjo ‧ RELEASE DATE: July 9, 2012
A unique, incandescent memoir.
A lyrical, soul-stirring memoir about how an acclaimed Native American poet and musician came to embrace “the spirit of poetry.”
For Harjo, life did not begin at birth. She came into the world as an already-living spirit with the goal to release “the voices, songs, and stories” she carried with her from the “ancestor realm.” On Earth, she was the daughter of a half-Cherokee mother and a Creek father who made their home in Tulsa, Okla. Her father's alcoholism and volcanic temper eventually drove Harjo's mother and her children out of the family home. At first, the man who became the author’s stepfather “sang songs and smiled with his eyes,” but he soon revealed himself to be abusive and controlling. Harjo's primary way of escaping “the darkness that plagued the house and our family” was through drawing and music, two interests that allowed her to leave Oklahoma and pursue her high school education at the Institute of American Indian Arts in Santa Fe. Interaction with her classmates enlightened her to the fact that modern Native American culture and history had been shaped by “colonization and dehumanization.” An education and raised consciousness, however, did not spare Harjo from the hardships of teen pregnancy, poverty and a failed first marriage, but hard work and luck gained her admittance to the University of New Mexico, where she met a man whose “poetry opened one of the doors in my heart that had been closed since childhood.” But his hard-drinking ways wrecked their marriage and nearly destroyed Harjo. Faced with the choice of submitting to despair or becoming “crazy brave,” she found the courage to reclaim a lost spirituality as well as the “intricate and metaphorical language of my ancestors.”
A unique, incandescent memoir.Pub Date: July 9, 2012
ISBN: 978-0-393-07346-1
Page Count: 208
Publisher: Norton
Review Posted Online: April 29, 2012
Kirkus Reviews Issue: May 15, 2012
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by Joy Harjo ; illustrated by Adriana M. Garcia
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by Joy Harjo ; illustrated by Michaela Goade
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