by Lucy Rees ‧ RELEASE DATE: April 26, 1996
Rees, a horse trainer with a love of travel, offers a rambling account of her adventure in the wilds of the Old West. She and her friend Rick, both Welsh, determine to come to America, buy two horses, and ride through Arizona in search of a particular stone carving of a maze that is found in both Cornwall and Hopi territory. The horses they buy, Rosie and Duchess, had been spoiled and then dumped by former owners, and were literally on the way to the glue factory before Rees found them. The narrative is at its strongest when it focuses on these animals: They gradually accept training, and the mutual trust that develops between rider and horse is fascinating and frequently quite moving. Their journey is much harder than expected, and as the relationship between beast and human is strengthened, that between Rick and the author loses its center. The story becomes unexpectedly painful when Rees recounts past loves now lost. She seems to find herself stuck in an emotional equivalent of the maze she and Rick seek. After an awkward few days, the two travel on to the Hopi reservation where they want to study more closely the stone carving that links their country to America. The reservation, unfortunately, exposes a slightly maudlin edge to Rees's writing, and the history and importance of the carving are lost in a torrent of platitudes Ö la Dances with Wolves. The end of the story is a muddled rush that stands in sharp contrast to her earlier clear prose style. While it relies too heavily on a vague, New Age mysticism, this slender book is nonetheless an engaging and unique travelogue. (illustrations)
Pub Date: April 26, 1996
ISBN: 0-88150-369-X
Page Count: 200
Publisher: Countryman
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 1, 1996
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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