Pure summer fun.
A child and their mother take a trip to the city pool on a hot day.
The sounds of clanking in the locker room, a pause to apply sunblock, the muffling of noises under the water—everything about this outing is thrilling. The young narrator (the tale is told in first person, although there’s no specific character identified as the narrator within the illustrations) notes that swimmers have various body and skin types (“even sunburned skin—OUCH!”), and everyone has different ways of entering the water—some make their way in slowly, one toe at a time, while others dive right in. Everyone swims or lounges in their preferred manner. They float, splash (pausing for the lifeguard’s whistle), flip, dive, and swim through legs like dolphins. For most of this, the swimmers are united (“I” switching to “we”), but never more so than when a cloud covers the sun, everyone waiting until the sun shines again, and there’s a collective cheer! The ritual of leaving is just as important—one more “CANNONBALL!” before everyone gets ice cream at a waiting truck. The merriment, beauty, and comforting routines of a pool day are on full display in this celebration of an urban summer tradition. Both the chatty, child-friendly text and the gouache, colored pencil, and digitally finished artwork ooze exuberance; Cummins’ saturated colors and energetic, curving waves are utterly inviting. The cast is racially diverse. (This book was reviewed digitally.)
Pure summer fun. (Picture book. 3-8)Pub Date: June 13, 2023
ISBN: 9781534499232
Page Count: 48
Publisher: Atheneum
Review Posted Online: March 13, 2023
Kirkus Reviews Issue: April 1, 2023
PERSPECTIVES
Though the science is not particularly solid, the message is an important one, and with the level of gross in the...
Krall’s latest is a disgusting, tongue-in-cheek lesson in contagiousness.
Simon loves school so much that even a cold (with its attendant snotty nose) won’t keep him home. He kisses his family and boards the bus, proceeding to vomit out the window on the way: “He…had fun the whole way,” the text understates. The merest contact or proximity leads others to suddenly, and unrealistically, sport Simon’s symptoms. The week includes show-and-tell, a zoo field trip, a game of kickball and a child-free bus on Friday afternoon, all the children having finally succumbed to his illness. The three germs that have been following him around all week finally introduce themselves and high-five him for being such a “germ hero.” Horrified, Simon does his best to stop their spread, washing his hands, covering his mouth, resting and hydrating, though the same cannot be said for one classmate on Monday morning. Krall’s illustrations work in the ick factor, his Photoshopped characters sporting oozing and dripping poison-green noses as each comes into contact with Simon. Careful observers may spot the colorful germs before they introduce themselves, but even those who don’t will want to go back and try to find all their appearances.
Though the science is not particularly solid, the message is an important one, and with the level of gross in the illustrations, it is sure to get through to young audiences. (Picture book. 4-8)Pub Date: Jan. 13, 2015
ISBN: 978-1-4424-9097-0
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2014
Kirkus Reviews Issue: Oct. 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
If Black Lives Matter, they deserve more specificity than this.
A lushly illustrated picture book with a troubling message.
Little Lala walks with her father after his successful day of fishing. When Mama calls her home for bed, a host of “good night”s delays her: to the bird, the monkey, and even the rock. As Lala wanders through her village in the darkening twilight, readers appreciate its expansive beauty and Lala’s simple joys. Although it’s been artfully written and richly illustrated by an award-winning author of many multicultural stories, this book has problems that overshadow its beauty. “African veld” sets the story in southern Africa, but its vague locale encourages Americans to think that distinctions among African countries don’t matter. Lala wears braids or locks that stick straight up, recalling the 19th-century pickaninny, and her inconsistent skin color ranges from deep ebony like her father’s to light brown. Shadows may cause some of these differences, but if it weren’t for her identifiable hair, readers might wonder if the same child wanders from page to page. Perhaps most striking of all is Lala’s bedtime story: not an African tale but an American classic. While this might evoke nostalgia in some readers, it also suggests that southern Africa has no comparably great bedtime books for Lala, perhaps in part because American children’s literature dominates the world market.
If Black Lives Matter, they deserve more specificity than this. (Picture book. 3-5)Pub Date: March 14, 2017
ISBN: 978-0-399-17384-4
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: Dec. 5, 2016
Kirkus Reviews Issue: Dec. 15, 2016
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