Short-listed in 1992 for the newly established Russian Booker Prize, Petrushevskaya's short novel (her first to be translated into English) is especially meaningful if its literary echoes are pre-established for the non-Russian reader. The narrator is an aging poet named Anna, pointed namesake of Anna Akhmatova, who shares her great predecessor's fate of having had a son in jail. But there the close resemblances end, for this Anna is in a sense an anti-Akhmatova: a frump without mystery, grace, or beauty in suffering. Her pain is homely, and what feeds her poetry is anyone's guess. She supports and lives with any number of essentially ungrateful relatives, mostly her flighty daughter Alyona; the two children Alyona bears with various unsatisfactory consorts and then pretty much gives up to her mother's care; Anna's own gone-around-the-bend mother; and now and then her son, Andrei—no noble gulag-ite, but a cadging, thankless wretch. The life here is hectically, hilariously close: Russian domesticity at its most unsparing, with everyone in each other's hair, minds, lives. Anna's narrative is interspersed with Alyona's romantic and hopeless diaries (read on the sly by her snooping mother, who, much to the author's credit, is anything but a saint), which operate as a plane of yearning for heights that daily life never reaches. The novel's affective core, though, is Anna's love for her grandson Tima, and it's here that Anna's credibility as a poet comes to the fore: ``Great thick curling lashes, little fans! All parents, and grandparents especially, love their babies physically like this, make them make up for everything else in life. It's sinful love I tell you...But what can you do? Nature intended for us to love.'' Told in an intimate, loose, over-the-back-fence style, this is an alternately funny and desperate book—a welcome introduction to a strong talent.
Pub Date: Sept. 13, 1994
ISBN: 0-679-43616-2
Page Count: 160
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1994
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
An extremely powerful story of a young Southern Negro, from his late high school days through three years of college to his life in Harlem.
His early training prepared him for a life of humility before white men, but through injustices- large and small, he came to realize that he was an "invisible man". People saw in him only a reflection of their preconceived ideas of what he was, denied his individuality, and ultimately did not see him at all. This theme, which has implications far beyond the obvious racial parallel, is skillfully handled. The incidents of the story are wholly absorbing. The boy's dismissal from college because of an innocent mistake, his shocked reaction to the anonymity of the North and to Harlem, his nightmare experiences on a one-day job in a paint factory and in the hospital, his lightning success as the Harlem leader of a communistic organization known as the Brotherhood, his involvement in black versus white and black versus black clashes and his disillusion and understanding of his invisibility- all climax naturally in scenes of violence and riot, followed by a retreat which is both literal and figurative. Parts of this experience may have been told before, but never with such freshness, intensity and power.
This is Ellison's first novel, but he has complete control of his story and his style. Watch it.
Pub Date: April 7, 1952
ISBN: 0679732764
Page Count: 616
Publisher: Random House
Review Posted Online: Sept. 22, 2011
Kirkus Reviews Issue: April 1, 1952
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