Though textually weak, this book provides a welcome Madeline-sighting.
Madeline is back, ever brave and adventurous and allowing her good nature to shine.
Rhymes in simple verses express various ways in which to demonstrate love. Some of the rhymes are tortured, as in coupling spend and friends, and some of the lines are awkward and lack the lively flow and appeal of the original Madeline books—but the sentiment is true. Madeline, whose name does not appear in the text, is the star of the show and demonstrates the book’s broad suggestions about kindness with concrete examples (giving someone “a lift” is paired with an image of her riding a scooter with a friend). She also climbs a tree to rescue a kitten, removes a thorn from a lion’s paw, comforts a friend whose doll is broken, helps an older person carrying a cane, and warmly greets people. Salerno honors Bemelmans’ iconic work but adds a modern sensibility with brightly colored illustrations in thick, black outlines that move across white spaces. Readers will find the facial expressions and body language of Madeline and those with whom she interacts varied and engaging. On her way home at the end of the two straight lines (with Miss Clavel in the lead, of course), Madeline turns to look directly at readers. All the characters present White with the exception of a brown-skinned child on the scooter.
Though textually weak, this book provides a welcome Madeline-sighting. (Picture book. 3-8)Pub Date: Dec. 28, 2021
ISBN: 978-0-593-34983-0
Page Count: 32
Publisher: Viking
Review Posted Online: Oct. 26, 2021
Kirkus Reviews Issue: Nov. 15, 2021
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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