Top-shelf historical fiction delivered with wit and compassion.
Two women witness the horrors of World War II via a snack truck.
Pulitzer Prize and NBCC Award finalist Urrea’s remarkable, elegantly written novel focuses on the Red Cross’ little-known Clubmobile Corps, which during World War II was charged with bringing coffee, doughnuts, and good company to weary GIs. The women had no medical training and were often condescended to as “Donut Dollies,” but because they were stationed in the heart of battle, they played no small part in improving morale and required a steely resolve of their own. Irene Woodward, who’s escaped New York and an abusive fiance, and Dorothy Dunford, who’s left her family and failing farm in Indiana, are paired together in a massive truck that, across the novel, heads from England to France and Germany in 1944 and 1945. En route, they witness some of the worst the post–D-Day European theater has to offer, from bombs to snipers to death camps; during lulls, the two fend off their share of harassment as well. (It’s all a recipe for PTSD and overwhelming for many; the Clubmobile was designed to be operated by three women, but so many drop out there’s a running gag about an unnamed “Third Girl in the Truck.”) Irene, artsy and romantic, has an opposites-attract rapport with the no-nonsense Dorothy, which Urrea plays for both humor and pathos, but he stresses how unified they are in absorbing the constant surprises and tragedies of warfare; a sunny retreat to Cannes is followed by a trek to Buchenwald. This material is personal for Urrea, whose mother served in the Clubmobile Corps, and a few sentimental notes slip into the story. But there’s plenty of grit, detail, and twists that make for both a fine page-turner and an evocation of war’s often cruel randomness.
Top-shelf historical fiction delivered with wit and compassion.Pub Date: May 30, 2023
ISBN: 9780316265850
Page Count: 416
Publisher: Little, Brown
Review Posted Online: April 10, 2023
Kirkus Reviews Issue: May 1, 2023
PERSPECTIVES
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Though uneven, this is still a pleasurable, comforting read.
Infertility, family secrets, and alpacas all figure in Quindlen’s latest meditation on mothering and domesticity.
Polly’s life looks enviable. Happily married to the adoring Mark—a vet at the Bronx Zoo—she teaches English at a private Manhattan girls’ school and loves her work. She has a protective older brother and close girlfriends, who’ve formed a book club where no one is expected to read the book. But Polly desperately wants a child and, at 42, knows time is running out. She and Mark have gone through endless fertility treatments, to no avail. Meantime, Polly’s friends have given her a DNA kit as a jokey birthday gift, and something mysterious shows up in the test results. Then, out of nowhere, a young woman contacts her, suggesting they may be related. That’s not all: Polly feels estranged from her mother, a revered judge who’s insufficiently maternal in her daughter’s view. Her father has always cherished her, but he’s in a nursing home now with a rapidly failing mind. And something is amiss with her best pal, Sarah. Quindlen’s trademark empathy is evident throughout, and her wry humor leavens some of the serious goings-on. Early on, Mark and Polly visit a fertility clinic with photos of babies in the waiting room; for Polly, “it felt…like a Weight Watchers facility with hot fudge sundae pictures on the wall.” Then we meet these charming alpacas, humming and pronking, on a farm run by an earth mother, whose wisdom will help Polly get on with her life. The plot swerves around a bit, there may be one surplus narrative thread (e.g., Polly’s star student Josephine running aground after graduation), and at the end, the author ties things up too neatly, pushing the “circle of life” theme too hard.
Though uneven, this is still a pleasurable, comforting read.Pub Date: Feb. 24, 2026
ISBN: 9780593734605
Page Count: 256
Publisher: Random House
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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