Even in death, Urrea shows, we never lose our connection to one another, which is the point of this deft and moving book.
A family saga that asks what it means to be American.
Urrea (The Water Museum, 2015, etc.) tells the story of Miguel Angel de la Cruz, or Big Angel, who must bury his mother as he himself is dying. Before his death, though, he means to celebrate one last birthday. “He wanted a birthday, pues. A last birthday,” Angel’s sister explains, and from that simple statement, the entire book unfolds. Urrea is an accomplished writer of fiction and nonfiction; his novel The Hummingbird’s Daughter was inspired by his great-aunt, the Mexican mystic Teresita Urrea, and The Devils’ Highway: A True Story, which recounts a catastrophic border crossing, was a finalist for the 2005 Pulitzer Prize. Here, he returns to his family as source, modeling Big Angel, or at least his circumstance, on his oldest brother, who died a month after their mother’s funeral. The result is a novel that is knowing and intimate, funny and tragic at once. The de la Cruzes are a big clan, messy and complex. The members have competing agendas, secrets, but at the same time, all share a commitment to family. “All we do, mija,” Big Angel tells his daughter, “is love. Love is the answer. Nothing stops it. Not borders. Not death.” It’s impossible to read that line (or, for that matter, this novel) without reflecting on the current American moment, in which Mexican-American families such as the de la Cruzes are often vilified. But if Urrea’s novel is anything, it is an American tale. It is a celebration, although Urrea is no sentimentalist; he knows the territory in which his narrative unfolds. There is tragedy here and danger; these are real people, living in the real world. Still, even when that world intrudes, it only heightens the strength, the resilience, of the family. “He thought he was still alive to make his amends,” Urrea writes of Big Angel. “He thought he was alive to try one last hour to unite his family. But now he knew…he was alive to save his boy’s life. His youngest son.”
Even in death, Urrea shows, we never lose our connection to one another, which is the point of this deft and moving book.Pub Date: March 6, 2018
ISBN: 978-0-316-15488-8
Page Count: 336
Publisher: Little, Brown
Review Posted Online: Dec. 23, 2017
Kirkus Reviews Issue: Jan. 15, 2018
PROFILES
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...
Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson.
Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty.
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.Pub Date: March 18, 2014
ISBN: 978-1-4767-5316-4
Page Count: 384
Publisher: Atria
Review Posted Online: May 6, 2014
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