by Luis Amavisca ; illustrated by Betania Zacarias ; translated by Kim Griffin & Ben Dawlatly ‧ RELEASE DATE: April 10, 2017
Appealing—if not groundbreaking—reassurance for children of divorce.
A child reflects on the houses of his separated parents in this dos-à-dos book.
In The Mirror in Mommy’s House, a bespectacled, redheaded white child recalls living with his parents in one house. Holding a pet rabbit close, he remembers gazing into a mirror as his parents quarreled, letting his imagination roam free. Now he has two special, happy houses. The book is a visual delight—Zacarias’ seamless blend of cut-paper collage and pastels adds depth and texture to the story. Yellows and reds bathe Mommy’s house in a warm glow, and love radiates off the page. Vaguely halting text and overly prolific ellipses (“Back then, in that single house, Daddy and Mommy used to argue a lot. And it made me sad…”) are slightly distracting; this is a Spanish import. In The Mirror in Daddy’s House, some may be disappointed to read the same story, more or less. Others may enjoy flipping from side to side to identify differences and similarities in the text and illustrations. (They may also wonder at a continuity flaw in the child’s clothing, noticeable at the center of the book.) Although Daddy’s gray-blues clearly distinguish it from Mommy’s orangey-yellows, they also imbue Daddy’s side with inadvertent sadness. Ultimately, the message that both parents love and share him, while not new, is still worthwhile. The book is also available in Spanish: El Espejo En La Casa de Mamá / El Espejo En La Casa de Papá.
Appealing—if not groundbreaking—reassurance for children of divorce. (Picture book. 4-8)Pub Date: April 10, 2017
ISBN: 978-84-945415-5-1
Page Count: 44
Publisher: NubeOcho
Review Posted Online: March 19, 2017
Kirkus Reviews Issue: April 1, 2017
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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