Chilling, eerie, and sophisticated: a marvelously constructed tale that keeps you guessing until the very end (which does...
Spaniard Ruiz’s English-language debut, winner of this year’s International Prize, reveals the nightmare world of a young Spanish widow whose dreams spring to life and drive her to the verge of insanity.
Seville librarian Alicia was a happy, hopeful young wife and mother not so long ago, but her husband Pablo and her little girl Rosita were killed in a car crash and Alicia is now on her own. Still in a state of shock months after the accident, Alicia sleepwalks through her days, maintaining the appearance of normal life at work and with her friends, but she finds that the nighttime world of her dreams has taken on more importance to her than most of what transpires while she’s awake. Each night, with increasing clarity, Alicia dreams of a strange and ancient city where she’s surrounded by angels and accosted by a menacing bald man with a moustache. Alicia describes these nightmares to her mother-in-law Luisa, a psychiatrist who tries to help Alicia manage her grief. Luisa prescribes various medications—at progressively high doses—but the dreams continue. In fact, they come to life. One day Alicia discovers a 17th-century engraving that’s a perfect illustration of the city of her dreams. She takes it to her brother-in-law Esteban, a Latin teacher, who translates the inscription (which describes the city as New Babel, earthly home of the devil) and agrees to help her find the book that it came from. A Name of the Rose–like hunt commences as Esteban and Alicia comb through libraries, museums, churches, and antiques shops on the trail of what looks more and more like a Satanic conspiracy. Is Alicia simply distraught? Or are her dreams actually revealing a diabolical cult to her (either as a warning or a trap)? After all, anyone can become paranoid if she’s hunted long enough.
Chilling, eerie, and sophisticated: a marvelously constructed tale that keeps you guessing until the very end (which does not disappoint).Pub Date: Jan. 1, 2003
ISBN: 0-8021-1730-9
Page Count: 320
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2002
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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