A vibrant, profane narrative of heartwarming criminality.
The adventures of a small-time criminal whose mettle is truly tested when she leaves the hard-edged Irish border town she calls home to embark on a perilous mission in neighboring yet utterly alien England.
In this free-wheeling, foulmouthed monologue-as-novel, we enter the close-knit underworld of a small, unlovely town on the redundant border between Ireland and Northern Ireland where our heroine, Aoife, plies a modest trade in drugs and knockoff alcohol. “Most'a the Smirnoff ye dink narth’a the Boyne is brewed in Mullaghbawn, Drumintee an Forkhill,” she explains of her rural territory. “Fuckin first-class stuff too. Gets ye where yer goin sure.” With trusted colleagues to rely on—chiefly Shamey Hughes, poet, singer, and muscle when necessary, and the stalwart Rat King, a respected patriarch in the Traveller community—Aoife is running her business smoothly when the mercurial, highly educated Annie enters her life, captures her heart, and puts old loyalties to the test. “She doesn know too much bowt the proper temptation that’s in poverty,” Aoife observes of Annie’s leftist pronouncements. “But that’s grand. I love her so I do. So I can let her run. Cause I know she’ll come backta me.” Employing language that is at times as poetic as it is profane (a shoreline, for example, appears “like a tear between sea and sky”) and with razor-sharp sardonic wit, the novel hurtles through a handful of loosely connected episodes, each entertaining enough, though some verging on slapstick or, worse, sentimentality, before finding its feet in a somewhat predictable plot. As a favor to Rat King—and to spare her town a gangland showdown—Aoife travels to England with a substantial amount of cocaine to unload and with Annie along to complicate matters. What follows is as entertaining as what went before, and Aoife’s acerbic view of Brexit England is as bracing as her earlier take on urban Ireland’s moneyed smugness. But mayhem and tragedy inevitably ensue. Leaving some essential plot threads dangling, the narrative returns home, to the only safe place.
A vibrant, profane narrative of heartwarming criminality.Pub Date: Jan. 11, 2022
ISBN: 978-0-593-31481-4
Page Count: 320
Publisher: Vintage Crime/Black Lizard
Review Posted Online: Nov. 16, 2021
Kirkus Reviews Issue: Dec. 1, 2021
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
An action-packed, brightly detailed historical novel not much hampered by its thinly characterized central figure.
A free-spirited woman forges a career as a writer and journalist, risking scandal and war zones to follow her heart.
Allende’s latest opens in San Francisco in 1873, introducing Emilia at age 7, the illegitimate daughter of Molly Walsh, who, as a novice nun, was seduced and abandoned by wealthy Chilean Gonzalo Andrés del Valle. Molly goes on to a successful marriage, Emilia grows up with a loving stepfather, and at 17 she begins writing, then publishing, sensational dime novels under the pseudonym Brandon J. Price. By 23, she’s a journalist with a column in The Daily Examiner, though still forced to hide her gender behind her pen name. Rule breaking is in her nature, and while she accepts, for now, lower pay than men, she decides on a trip to New York to take a lover and learns to control her own contraception. Later, finally writing under her own name, she’s commissioned to go to Chile and cover its civil war from a human angle, accompanied by colleague and friend Eric Whelan, whose focus is the military aspect. Chilean revolutionary politics make for less sprightly reading, but Emilia’s individual encounters with members of high and low society lend atmosphere. These include the president, a great aunt, and eventually her father—now alone, regretful, and mortally ill. Although he disapproves of working women, the two share a “desire to see the world and experience everything intensely,” and when he offers to recognize Emilia as his legitimate child, she accepts. Now the story gathers pace, with Emilia—always and predictably the rebel—witnessing the horrors of battle, discovering that she and Eric are in love, and getting arrested. Not quite plausibly, she instigates a further sequence of impulsive moves before the story is permitted to conclude.
An action-packed, brightly detailed historical novel not much hampered by its thinly characterized central figure.Pub Date: May 6, 2025
ISBN: 9780593975091
Page Count: 304
Publisher: Ballantine
Review Posted Online: April 19, 2025
Kirkus Reviews Issue: May 15, 2025
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