Oozing with style but wanting for substance.
In 2016 Los Angeles, a wealthy college dropout and her former professor trade academia for opiates.
When New York University art student Susie Vogelman finds her roommate dead of an OxyContin overdose, she palms the remaining pills and checks into the Carlyle Hotel. There, she orders room service and gets high with her favorite teacher, Phil Krolik, until the school finally contacts her parents. Susie then moves back home to her family’s Brentwood mansion, where she passes time by the pool in a stoned daze, only exiting the community’s gates for meetups with her dealer, Royal-Lee. Phil, newly fired, cashes in his trust fund and goes in search of his twin brother, Peter, an unhoused addict last seen in LA. Hoping to attract and eventually help Peter, Phil buys the Villa—a turnkey, fully subsidized rehab center run out of an apartment building in West Adams. The work is harder and less profitable than Phil anticipated, so he joins the Church of White Illumination, a secret society of rich and powerful men. With the connections he makes, and with Royal-Lee’s assistance, Phil begins providing drugs to his residents so they’ll participate in the facility’s programming. As Susie’s and Phil’s paths inexorably reconverge, the mutilated corpses of junkies start turning up in seedy motels all over Hollywood. Goebel’s novel takes the guise of a roman à clef written by Susie after the fact, the introduction teasing Phil’s, Royal-Lee’s, and Susie’s own entanglement with these killings. Shot through with the sort of pseudo-profundity endemic to youthful privilege, Susie’s rambling, terminally jaundiced narrative paints a darkly surreal Lynch- and Kubrick-inspired portrait of LA. Regrettably, while Goebel’s sentence-level writing is undeniably artful, his plot lacks coherence, sapping the tale of impact and drive.
Oozing with style but wanting for substance.Pub Date: April 14, 2026
ISBN: 9781636284651
Page Count: 272
Publisher: Red Hen Press
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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