Oozing with style but wanting for substance.
In 2016 Los Angeles, a wealthy college dropout and her former professor trade academia for opiates.
When New York University art student Susie Vogelman finds her roommate dead of an OxyContin overdose, she palms the remaining pills and checks into the Carlyle Hotel. There, she orders room service and gets high with her favorite teacher, Phil Krolik, until the school finally contacts her parents. Susie then moves back home to her family’s Brentwood mansion, where she passes time by the pool in a stoned daze, only exiting the community’s gates for meetups with her dealer, Royal-Lee. Phil, newly fired, cashes in his trust fund and goes in search of his twin brother, Peter, an unhoused addict last seen in LA. Hoping to attract and eventually help Peter, Phil buys the Villa—a turnkey, fully subsidized rehab center run out of an apartment building in West Adams. The work is harder and less profitable than Phil anticipated, so he joins the Church of White Illumination, a secret society of rich and powerful men. With the connections he makes, and with Royal-Lee’s assistance, Phil begins providing drugs to his residents so they’ll participate in the facility’s programming. As Susie’s and Phil’s paths inexorably reconverge, the mutilated corpses of junkies start turning up in seedy motels all over Hollywood. Goebel’s novel takes the guise of a roman à clef written by Susie after the fact, the introduction teasing Phil’s, Royal-Lee’s, and Susie’s own entanglement with these killings. Shot through with the sort of pseudo-profundity endemic to youthful privilege, Susie’s rambling, terminally jaundiced narrative paints a darkly surreal Lynch- and Kubrick-inspired portrait of LA. Regrettably, while Goebel’s sentence-level writing is undeniably artful, his plot lacks coherence, sapping the tale of impact and drive.
Oozing with style but wanting for substance.Pub Date: April 14, 2026
ISBN: 9781636284651
Page Count: 272
Publisher: Red Hen Press
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Great crime fiction.
An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.
In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”
Great crime fiction.Pub Date: March 31, 2026
ISBN: 9780593493465
Page Count: 496
Publisher: Viking
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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