An invigorating look at big-picture history across continents and millennia, and a survival manual to boot.
Giants are usually hard to fell—but when they fall, they fall hard.
“The average lifespan of a state is 326 years,” writes international relations scholar Kemp. “The largest states…are more fragile, lasting on average just 155 years.” What Kemp calls “Goliath states,” including Russia, China, and the U.S., “can be surprisingly fragile,” even though underlying all of them is the threat of violence via police, army, and other government agencies. In some instances, Kemp observes, the collapse of a state is a good thing: Somalia was better off without its dictatorship, even as warlords contended for power. Often, collapse is incremental, so that a peasant in the Italian countryside might not have been aware that the Roman Empire was falling apart. But just as often, collapse is cataclysmic, as Kemp fears it might be given multiple converging threats, including climate change, inequality, the rise of AI, and nuclear war. Societal collapse may then ensue, but, as Kemp notes, that is largely “about the fall of great power structures,” with elites standing the most to lose. Much of Kemp’s book is about the evolution of the state, revisiting anthropological views of Paleolithic societies as happier and more egalitarian than modern ones; archaeological evidence, he notes, suggests that moderns are about twice as likely to die violently than people 10,000 years ago. As humans acquired “lootable resources” unknown to their forebears, motivations for impersonal violence increased. Kemp’s book is wide ranging and full of useful and provocative theses, such as this one: “The more strongly states subjugate women, the more likely they are to be both autocratic and prone to failure.” Just so is his set of prescriptions for nations and people to survive the possibility of a catastrophic downfall: for states, for instance, the mandate to “make the world equal again”; for individuals, “Don’t be a dick.”
An invigorating look at big-picture history across continents and millennia, and a survival manual to boot.Pub Date: Sept. 23, 2025
ISBN: 9780593321355
Page Count: 304
Publisher: Knopf
Review Posted Online: June 13, 2025
Kirkus Reviews Issue: July 15, 2025
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
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