Conklin introduces themself as a writer to watch with these open-eyed, tenderhearted, well-crafted stories.

RAINBOW RAINBOW

An award-winning author offers a spectrum of LGBTQ+ characters in their debut collection.

In “Laramie Time,” a comics artist uncovers some truths about herself and her lover when they ask a friend to help them make a baby. The protagonist of “Cheerful Until Next Time” meets the man he wants to become and then falls in love with him. “The Black Winter of New England,” “Ooh, the Suburbs,” and “Pioneer” show adolescents discovering—often painfully—their sexuality and their gender. The word transition is used to describe the processes transgender people undertake to live more fully as their true selves—and there are certainly transgender people undergoing this sort of transition depicted here—but the people in these stories are all in the midst of transitions of multiple kinds, and Conklin addresses the way society is changing, too. The titular character in “Sunny Talks” is a trans teen who has amassed a respectable following on YouTube by sharing his views on “pansexuality, passing privilege, cisnormativity, he/him lesbi­ans, PGPs, chasers, and demiromanticism.” That sentence would have been shocking just 10 years ago, and it will undoubtedly confound a lot of people even now. These stories assay serious topics, such as pedophilia and sexual assault. In “Boy Jump,” the main character visits a Holocaust memorial in Poland and reflects on the places where it’s not safe for LGBTQ+ people to travel in Eastern Europe. But these are not cautionary tales about being queer. Conklin is adept at communicating complexity and writes in a plainspoken style that does not invite sensationalizing. In each story, a rainbow appears. We might read this as a motif underscoring the full range of human sexualities and genders—and, if it’s not too corny, we might see it as a symbol of hope.

Conklin introduces themself as a writer to watch with these open-eyed, tenderhearted, well-crafted stories.

Pub Date: May 31, 2022

ISBN: 978-1-64622-101-1

Page Count: 256

Publisher: Catapult

Review Posted Online: March 25, 2022

Kirkus Reviews Issue: April 15, 2022

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Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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IT STARTS WITH US

The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 27, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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SUMMER SISTERS

The years pass by at a fast and steamy clip in Blume’s latest adult novel (Wifey, not reviewed; Smart Women, 1984) as two friends find loyalties and affections tested as they grow into young women. In sixth grade, when Victoria Weaver is asked by new girl Caitlin Somers to spend the summer with her on Martha’s Vineyard, her life changes forever. Victoria, or more commonly Vix, lives in a small house; her brother has muscular dystrophy; her mother is unhappy, and money is scarce. Caitlin, on the other hand, lives part of the year with her wealthy mother Phoebe, who’s just moved to Albuquerque, and summers with her father Lamb, equally affluent, on the Vineyard. The story of how this casual invitation turns the two girls into what they call "Summer sisters" is prefaced with a prologue in which Vix is asked by Caitlin to be her matron of honor. The years in between are related in brief segments by numerous characters, but mostly by Vix. Caitlin, determined never to be ordinary, is always testing the limits, and in adolescence falls hard for Von, an older construction worker, while Vix falls for his friend Bru. Blume knows the way kids and teens speak, but her two female leads are less credible as they reach adulthood. After high school, Caitlin travels the world and can’t understand why Vix, by now at Harvard on a scholarship and determined to have a better life than her mother has had, won’t drop out and join her. Though the wedding briefly revives Vix’s old feelings for Bru, whom Caitlin is marrying, Vix is soon in love with Gus, another old summer friend, and a more compatible match. But Caitlin, whose own demons have been hinted at, will not be so lucky. The dark and light sides of friendship breathlessly explored in a novel best saved for summer beachside reading.

Pub Date: May 8, 1998

ISBN: 0-385-32405-7

Page Count: 336

Publisher: Delacorte

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 1998

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