Conklin introduces themself as a writer to watch with these open-eyed, tenderhearted, well-crafted stories.
An award-winning author offers a spectrum of LGBTQ+ characters in their debut collection.
In “Laramie Time,” a comics artist uncovers some truths about herself and her lover when they ask a friend to help them make a baby. The protagonist of “Cheerful Until Next Time” meets the man he wants to become and then falls in love with him. “The Black Winter of New England,” “Ooh, the Suburbs,” and “Pioneer” show adolescents discovering—often painfully—their sexuality and their gender. The word transition is used to describe the processes transgender people undertake to live more fully as their true selves—and there are certainly transgender people undergoing this sort of transition depicted here—but the people in these stories are all in the midst of transitions of multiple kinds, and Conklin addresses the way society is changing, too. The titular character in “Sunny Talks” is a trans teen who has amassed a respectable following on YouTube by sharing his views on “pansexuality, passing privilege, cisnormativity, he/him lesbians, PGPs, chasers, and demiromanticism.” That sentence would have been shocking just 10 years ago, and it will undoubtedly confound a lot of people even now. These stories assay serious topics, such as pedophilia and sexual assault. In “Boy Jump,” the main character visits a Holocaust memorial in Poland and reflects on the places where it’s not safe for LGBTQ+ people to travel in Eastern Europe. But these are not cautionary tales about being queer. Conklin is adept at communicating complexity and writes in a plainspoken style that does not invite sensationalizing. In each story, a rainbow appears. We might read this as a motif underscoring the full range of human sexualities and genders—and, if it’s not too corny, we might see it as a symbol of hope.
Conklin introduces themself as a writer to watch with these open-eyed, tenderhearted, well-crafted stories.Pub Date: May 31, 2022
ISBN: 978-1-64622-101-1
Page Count: 256
Publisher: Catapult
Review Posted Online: March 24, 2022
Kirkus Reviews Issue: April 15, 2022
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.
In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.
Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.Pub Date: April 9, 2024
ISBN: 9781250884251
Page Count: 400
Publisher: Flatiron Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
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