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PARADOXIA

A PREDATOR’S DIARY

Frantic and overdone, but strangely honest rantings from a modern-day Genet.

Hellion’s diary of a troubled life as hunter and despiser of men.

Lunch, a musician, writer and photographer, was a grimy and dark princess during drug-haunted Manhattan’s nihilistic No Wave movement of the early ’80s. Here she recounts time spent amidst the artists, scenesters, druggies and occasional murderers who made up acquaintance. Lunch was spurred to sexual aggression by a childhood of abuse in upstate New York, and later into nympho-maniacal behavior and rampant drugging. “New York City did not corrupt me,” she writes. “I was drawn to it because I had already been corrupted.” She hated men but flung herself at them, the worse the better. Reproducing the pathology of abuse, the cycle of pain received and inflicted, she grabbed and discarded with abandon, making a specialty of deflowering 14-year-old boys. The pell-mell prose gives the book an immediacy that’s hard to shake, and Lunch’s headlong plunge into manic devastation and corruption at times recalls the better work of William S. Burroughs. No wonder that Hubert Selby Jr., author of Last Exit to Brooklyn, was a mentor of sorts to this evil angel of extremes. As Sonic Youth front-man Thurston Moore (another No Wave vet) puts it in his blank verse afterword, “She can lure fascist beasts to honey with a whiff of her thigh. She can eviscerate them in their own hideous pools of selfish shame.”

Frantic and overdone, but strangely honest rantings from a modern-day Genet.

Pub Date: Sept. 1, 2007

ISBN: 978-1-933354-35-4

Page Count: 160

Publisher: Akashic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2007

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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