Lunch fans will enjoy her unleashed musings and the healthy rage that abound in these fierce essays.

SO REAL IT HURTS

In her latest, singer, writer, and performer Lunch (The Need to Feed: Recipes for Developing a Healthy Obsession With Deeply Satisfying Foods, 2012, etc.) offers her unique blend of raw humor and uncompromising observations.

Buoyed by indignant anger and outrage, these cultural critiques function best when viewed as performance pieces that vary between scathing indictments and rambling rants. Maintaining a deliberate defiance in tone and style, the author covers broad topics, from wildly intimate experiences to coarse opinions and razor-sharp social insights. As usual, Lunch holds nothing back, providing rebellious, raunchy personal stories, scorching perspectives on the notion of mandatory motherhood, a purging glimpse at the nightmare of insomnia, and other themes. Amid these punchy personal revelations, the author layers honed essays with a broader scope. The topics include a reflective interview with Hubert Selby Jr., an in-depth profile of poet Herbert Huncke (“short shift hustler, petty thief, con artist, convicted felon, parasitic hustler, lifelong junkie…whose collected memoirs, beautifully rendered, are infused with heartbreaking detours, detailing life lived to the extreme”), a gritty history of No Wave in New York, and a blistering criticism of recent environmental degradation, pollution, and political abuses of power for economic gains. In the ambitious “Slobathon,” Lunch tackles fashion trends and the commodification of style from James Dean to the death of glam and beyond. Pulling attention to corporate greed and consumer accountability, this explosive essay seethes with the kind of urgency that reflects Lunch at her strongest. Together, these reactions to consumerism, global economic exploitation, hypocrisy, militarism, environmental destruction, and other social failures of modern American society are fervent, bordering on virulent. Consistent with her other work, the author’s voice may be faulted as uneven but never tamed; it’s not a book for the easily offended or faint of heart.

Lunch fans will enjoy her unleashed musings and the healthy rage that abound in these fierce essays.

Pub Date: July 9, 2019

ISBN: 978-1-60980-943-0

Page Count: 112

Publisher: Seven Stories

Review Posted Online: May 8, 2019

Kirkus Reviews Issue: June 1, 2019

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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