Told in the first person, the tale of Cornelia is achingly familiar: She’s a girl child in her mid-teens, angry, passionate, hungry both literally and figuratively and ignored by her distracted but brilliant parent, the great painter Rembrandt. He is a pathetic figure here: listening to the voice of God in his head; making images with thick impasto paint; no longer desirable to his patrons; and ignoring the needs of daily life while Cornelia struggles to meet them. She loves her brother Titus, adored of Rembrandt, but he marries and leaves her alone to care for vader. Cullen uses a few Dutch words for 17th-century atmosphere, but Cornelia’s bitterness and longing seem very contemporary. The narrative slips back and forth between past (the death of Cornelia’s mother, whom Rembrandt never married) and present, when Cornelia is to leave Amsterdam with her new husband. Cullen uses several of Rembrandt’s paintings in effective ways to tether the story, even though her fictional climax has no historical basis. (author’s note, character list, list of paintings) (Historical fiction. 12+)
Pub Date: June 1, 2007
ISBN: 978-1-59990-046-9
Page Count: 300
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2007
A solid sophomore novel celebrating love that begs for a soundtrack.
Queer Black girls fall in love at a summer music festival.
When dating the top basketball recruit in Indiana turns disastrous, ruining her socially, emotionally, and in her mother’s eyes, perpetually in love 16-year-old Olivia Brooks begs her best friend, Imani Garrett, to take a summer road trip to the Farmland Arts and Music Festival in Georgia. Imani agrees on one condition: Olivia cannot hook up with anyone on the trip. Meanwhile, Toni Jackson is heading to Farmland for the first time without her musician-turned-roadie dad, who was killed 8 months ago. Joined by her best friend, Peter Menon (whose surname cues him as Indian), Toni is trying to figure her life out—college or something else? She believes that if she performs in the festival’s Golden Apple amateur competition, the truth will become clear. The four meet in Georgia, and when all the solo slots in the competition are full, Toni and Olivia agree to enter as a duo and help each other with their individual quests—Toni’s to perform on stage, Olivia’s to be distracted from the upcoming judicial hearing over violating behavior by her ex-boyfriend and to win the prize of a much-needed car. Although Imani and Peter feel more like devices than well-developed characters with substantial relationships to the protagonists, the exploration of Olivia’s tendency to adapt to others’ expectations of her is wonderfully nuanced, and her relationship with Toni is delightfully swoon-y.
A solid sophomore novel celebrating love that begs for a soundtrack. (Fiction. 14-18)Pub Date: July 6, 2021
ISBN: 978-1-338-66223-8
Page Count: 336
Publisher: Scholastic
Review Posted Online: May 10, 2021
Kirkus Reviews Issue: June 1, 2021
PROFILES
SEEN & HEARD
SEEN & HEARD
A thoughtful, realistically messy emotional wallop that destigmatizes mental disorders.
Andy and Shelbi find love while navigating mental health challenges in suburban Georgia.
It all starts when 18-year-old Andy Criddle drunkenly texts the wrong number. The mistaken recipient ends up offering him emotional support and asks him not to drive drunk. Despite agreeing, he gets behind the wheel—and into an accident. After being charged with a DUI, Andy, the son of a congresswoman running for Senate, is barred from attending his graduation and shamed in the press. Meanwhile, 16-year-old AP physics student Shelbi Augustine, who finds car crashes interesting for scientific reasons, picks up Andy’s wallet at the scene of the wreck. She returns it to him in class and gives him a pep talk before nervously rushing away. The judge orders Andy to complete community service at a soup kitchen where Shelbi regularly volunteers, and when their paths cross again, she confesses that she was the person he was texting. As they grow closer, Shelbi, who has bipolar depression, has Andy sign a friendship agreement. Rule No. 6 reads, “Do not, under any circumstances, fall in love with Shelbi.” Naturally, this is a rule destined to be broken. The comfort and ease the two have are mirrored by Stone’s breezy writing. Her casual tone acts as a potent salve for the heart-wrenching scenes and the searing portrayal of healing. Most characters are Black; Andy’s dad is White, and Shelbi’s paternal grandmother is from India.
A thoughtful, realistically messy emotional wallop that destigmatizes mental disorders. (author’s note) (Romance. 14-18)Pub Date: Feb. 28, 2023
ISBN: 978-0-593-30770-0
Page Count: 288
Publisher: Crown
Review Posted Online: Nov. 28, 2022
Kirkus Reviews Issue: Dec. 15, 2022
PERSPECTIVES
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