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THE MODERN TEMPER

AMERICAN CULTURE AND SOCIETY IN THE 1920S

An accessible yet thoroughly detailed account of a time in American history that seems very much like our own. Dumenil (History/Occidental Coll.; Freemasonry and American Culture, 18801930, not reviewed) demonstrates in the course of this well-conceived book that a series of far-reaching social issues not only set the tone of the 1920s but also ``formed central motifs that have shaped the modern American temper.'' Foremost among those themes, in her view, was a rising general mistrust of a growing government bureaucracy; she quotes a range of contemporary opinions on the excessive power of federal law, including a US representative's argument against continuing the wartime program of daylight-savings time (``we might soon have laws passed attempting to regulate the volume of air a man should breathe, suspend the laws of gravity, or change the colors of the rainbow''); these give life to her observations on Americans' perennial suspicion of the state. In the 1920s, Dumenil argues, lobbyists for the first time became a powerful political force; large movie studios promoted their wares through national chains, undercutting the neighborhood theater and creating a mass market for mass-produced culture; and nativist political forces mobilized against immigration. Most significantly, women entered the workplace and demanded greater autonomy in determining their economic, social, political, and sexual future, although as Dumenil notes, ``the new women's liberation [was the domain of] white, relatively affluent women, and had relatively little meaning to poor women of color.'' The author is less interesting on the period's higher culture; her whirlwind tour of Hemingway, Dos Passos, Cummings, Eliot, Fitzgerald, Stein, and their peers is far too cursory to serve her argument. Nor does she give enough emphasis to WW I's role in setting the stage for the 1920s' revolt against late Victorian sensibilities. Still, a useful, circumstantial overview of a tumultuous era.

Pub Date: June 1, 1995

ISBN: 0-8090-6978-4

Page Count: 320

Publisher: Hill and Wang/Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1995

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THE GREAT BRIDGE

THE EPIC STORY OF THE BUILDING OF THE BROOKLYN BRIDGE

It took 14 years to build and it cost 15 million dollars and the lives of 20 workmen. Like the Atlantic cable and the Suez Canal it was a gigantic embodiment in steel and concrete of the Age of Enterprise. McCullough's outsized biography of the bridge attempts to capture in one majestic sweep the full glory of the achievement but the story sags mightily in the middle. True, the Roeblings, father and son who served successively as Chief Engineer, are cast in a heroic mold. True, too, the vital statistics of the bridge are formidable. But despite diligent efforts by the author the details of the construction work — from sinking the caissons, to underground blasting, stringing of cables and pouring of cement — will crush the determination of all but the most indomitable reader. To make matters worse, McCullough dutifully struggles through the administrative history of the Brooklyn Bridge Company which financed and contracted for the project with the help of the Tweed Machine and various Brooklyn bosses who profited handsomely amid continuous allegations of kickbacks and mismanagement of funds. He succeeds in evoking the venality and crass materialism of the epoch but once again the details — like the 3,515 miles of steel wire in each cable — are tiresome and ultimately entangling. Workmanlike and thorough though it is, McCullough's history of the bridge has more bulk than stature.

Pub Date: Oct. 1, 1972

ISBN: 0743217373

Page Count: 652

Publisher: Simon & Schuster

Review Posted Online: Oct. 12, 2011

Kirkus Reviews Issue: Oct. 1, 1972

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RETURN TO SODOM AND GOMORRAH

BIBLE STORIES FROM ARCHAEOLOGISTS

In the latest leg of an idiosyncratic intellectual journey, Pellegrino looks at the stories of the Old Testament through the lenses of genetics, paleontology, and archaeology. Pellegrino (Unearthing Atlantis, 1990, etc.) has an autodidact's omnivorous curiosity to match his high-flying imagination. In this new hodgepodge, he expands on the speculations he put forward in his previous expedition into antiquity, in which he hypothesized that the volcano-buried Minoan city of Thera was the inspiration for the legendary Atlantis. Here he conjectures that when an eruption in the second millennium b.c. obliterated the Minoan civilization, its long-distance effects may have been responsible for the plagues of Egypt and the Aegean diaspora that brought the Philistines to Canaan. He also annexes other theories having to do with the contentious ``Mitochondrial Eve'' hypothesis (based on mitochondrial DNA research, it theorizes that genetic the mother of us all lived between 250,000 and 140,000 b.c.) and the Ark of the Covenant's wanderings. Using diverse scientific sources and historical perspectives—Sumerian clay tablets, Egyptian steles, the writings of Herodotus, and, naturally, the Bible—he ``telescopes'' anthropological and archaeological theories to fit Biblical myths like those of Noah and Nimrod, compressing patterns of history into oral tradition's legends. With a natural sense of storytelling, he blends theories of antiquity with the adventures of field work: He is best describing the modern difficulties of conducting digs in Gaza, Jericho, and Iraq (where he radically situates the Biblical Cities of the Plain destroyed by God's wrath). There is, however, a good deal of padding by this accidental archaeologist: reconstructed dialogue, digression, repetition, and flights of fancy that leave solid ground far below. For all its interdisciplinary breadth and originality, this reads like a beery breeze-shooting session with a college prof. (16 pages of b&w drawings, maps, not seen) (Author tour)

Pub Date: Sept. 1, 1994

ISBN: 0-679-40006-0

Page Count: 384

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1994

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