An edgy mix of escapism and tortured longing with strong characters.
A YA novel sees a teenage girl find love and conflict in a fantasy realm.
In 1936, 13-year-old Lily Channon spends the summer at her grandparents’ stately home. Lily delights in her fun-loving grandfather and his fantastic stories of dragons and adventure. The only constraint is that she’s not allowed to leave the estate grounds; in particular, she must not go into the woods beyond the gate. But the woods call to her. She sneaks out and finds a boy there; he knows about her hidden birthmark and calls her “the one.” Four years pass after that joyous summer. Lily’s grandfather is dead, and she and her mother move onto the estate along with the new manager and his son, Henry. Henry is 10 years older than Lily but very attractive. The two fall in love and are to be married. But Lily goes to the woods once more and is drawn into Arcadia, a magical world once ruled by her grandfather. Arcadia is in thrall to the tyrant Reficul, and although it has been prophesied that Lily—now that she has turned 18—will save the land, there are dangers and betrayals to overcome. She finds her heart split between Henry and Calev, the boy she met four years earlier. Whom will she choose? How much will she sacrifice to uphold her grandfather’s legacy? McCain (Smoke Signal, 2019, etc.) combines a modern YA quest fantasy with the more chaste romantic yearnings of yesteryear, the setting and contemporaneous time period evoking parts of C.S. Lewis’ The Lion, the Witch and the Wardrobe. At 18, Lily is older than the children who first enter Narnia; consequently, Arcadia feels less wondrous a place and the quest a little less epic. But the characters are memorable—tiny Shim, for example, and smoldering Levona, who live in Arcadia—and while the action is at times helter-skelter, this mirrors quite cleverly Lily’s breathless disorientation. Instead of lining up with narrative expectations, the story’s dramatic moments gain prominence (or fade perfunctorily) to match the mercurial imbalances of Lily’s ever shifting love triangle. The author’s prose, plot, and dialogue carry the familiar stylization of epic fantasy, yet it is romantics who will most approve.
An edgy mix of escapism and tortured longing with strong characters.Pub Date: June 23, 2017
ISBN: 978-1-5470-6011-5
Page Count: 233
Publisher: CreateSpace
Review Posted Online: Aug. 10, 2019
Kirkus Reviews Issue: Sept. 15, 2019
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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