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NINE LIVES

FROM STRIPPER TO SCHOOLTEACHER: MY YEAR-LONG ODYSSEY IN THE WORKPLACE

This chronicle of freelance journalist Snowden's year in the trenches of America's work force could well serve as a textbook for Modern American Culture 101. Snowden worked as a heavy-metal roadie, an ad copywriter, a substitute math teacher, a Las Vegas cocktail waitress, a Hollywood publicist, a suburban housewife (filling in for a Connecticut matron who took two weeks off), a stripper, a rape counselor, and a molder in a chocolate factory. She gained unusual job skills, like how to sleep in her clothes as a roadie to avoid having to change on a bus; how to mask her limited knowledge of algebra by teaching students the intricacies of restaurant tipping instead; and how to achieve the best hair removal on her bikini line. Beyond these tidbits, Snowden found occupational microcultures with rigid dress codes, rituals, traditions, and hierarchies all their own. With an amateur anthropologist's eye and a large measure of good humor, Snowden confirms and contradicts stereotypes of life in America's offices, casinos, factories, and suburbia. Her fellow ad writers did dream up their toothpaste ads playing Nerf basketball, just like on thirtysomething; playing mom—which each week included doing nine loads of laundry and buying 13 gallons of milk and orange juice, though she was exempt from marital-bed duties—was by far the hardest job, since it had no quitting time. But who would have thought that heavy-metal roadies golf or bowl on their days off or that cocktail waitresses in Las Vegas must join a union, be tested for TB, take an alcohol management class, and have 60 strands of hair cut from their head for DNA testing? While Snowden presents vivid portraits of her jobs, it is not until the epilogue that she explains how she got them, and the absence of any overall conclusions about the American workplace is a drawback. This testament to how deeply jobs shape workers' lives is as invaluable a cultural document as Susan Orleans's Saturday Night. (Photos, not seen) (First serial to Esquire)

Pub Date: Aug. 1, 1994

ISBN: 0-393-03673-1

Page Count: 288

Publisher: Norton

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: June 1, 1994

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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