After the rainy season, Kenya’s animals work in concert, each type eating from a specific niche of the lush grasslands, shown here in appealing, expansive ink-and-watercolor illustrations. This sets the stage for the story of Abaani, a young Maasai herder, and Haki, a Kikuyu farm boy who works in a market stall, in a picture book with nonfiction flavor. The two groups are at odds over land use, so the boys initially exchange angry insults. Thrown together in a moment of danger, the two work together to save a toddler caught in the path of warthogs, which makes both reconsider the aforementioned hatred. Gradually, a friendship and a partnership form, inspiring the boys to hope that their families and people will find a similar way to appreciate one another and share Kenya’s resources. Thought-provoking if a little blue-sky optimistic, this tale of Kenya serves as an accessible exploration of the concept of tribal disputes and more general themes of friendship and conflict resolution. A nice choice for classroom use and home reading. (map, author’s note, glossary, source notes) (Picture book. 5-9)
Pub Date: Sept. 1, 2009
ISBN: 978-1-60060-365-5
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2009
One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)
Pub Date: May 1, 2004
ISBN: 1-58430-161-9
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
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