Griffin’s fiction-writing skills have some catching up to do with her professional expertise.

LIFE WITHOUT SUMMER

Parenting and child-development consultant Griffin’s debut interweaves the stories of a therapist and her client, a woman whose daughter is killed by a hit-and-run driver.

In a small Massachusetts coastal town, four-year-old Abby is struck down in the street outside her preschool. Her mother Tessa, frustrated by the sluggishness and apparent callousness of homicide detective Caulfield, embarks on her own investigation into the identity of Abby’s killer, compiling from public records a list of likely suspects among drunk-driving offenders. Meanwhile, Tessa’s grief counselor, Celia, seems to know more than she’s letting on about the horror of losing a child. Caulfield misplaces paint chips found at the accident scene, and his career ends in a corruption scandal. Tessa and husband Ethan hire an attorney to watchdog further police efforts. Celia has her own family fissures. Her new husband, history professor Alden, is intellectually and socially far removed from her ex, Harry, who works in a boatyard. Ever since a traumatic discovery made on his and Celia’s beloved sailboat, Harry has struggled with alcoholism and usually lost; his license was suspended after a second DUI conviction. Celia and Harry’s 15-year-old son Ian is a lightning rod in the culture clash between scruffy but lovable Harry and cerebral, supercilious Alden. (Celia herself finds childless Alden’s step-parenting efforts lame and halfhearted.) Almost catatonically depressed, his schoolwork suffering, Ian abruptly departs Celia’s orderly home for Harry’s chaotic one. Harry’s name is on Tessa’s suspect list, but she has no idea he is Celia’s former husband. As Tessa hones in on the circumstances surrounding Abby’s death, the suspense mounts briskly, despite awkward, at times clichéd prose. Tessa and Celia’s first-person voices, conveyed via journal entries, are indistinguishable. Worse, Celia’s journal is a less-than-skillful authorial artifice, allowing the author to withhold critical information until the book’s climax.

Griffin’s fiction-writing skills have some catching up to do with her professional expertise.

Pub Date: April 14, 2009

ISBN: 978-0-312-38388-6

Page Count: 320

Publisher: St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 2009

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

LOVE AND OTHER WORDS

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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