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THE PRODIGAL TONGUE

THE LOVE-HATE RELATIONSHIP BETWEEN AMERICAN AND BRITISH ENGLISH

A passionate defense (or is it defence?) of the “fantastically flexible medium” that is English.

What is it about Americans’ way with words that makes Brits so angry? An American linguistics professor attempts to find out.

Murphy (Linguistics/Univ. of Sussex), who lives in Britain and writes the blog Separated by a Common Language, hears frequent complaints “about the wrecking ball that is American English.” In this book, she tries to understand how it became “Linguistic Public Enemy Number 1” and explains the phenomenon she calls amerilexicosis, “a pathologically unhinged reaction to American English.” As the author notes, many American phrases that proponents of British English detest come from Britain. The earliest uses of “might of,” considered an American monstrosity, “have been found in letters sent in England in the 1770s.” Murphy covers all the greatest linguistic hits—e.g., the -or/-our divide in words like “color”—but she tends to generalize: not every American or Brit speaks as she describes. Some of her examples, even in the service of legitimate points, leave room for debate. The author defends the supposedly American practice of turning nouns into verbs by writing, “people are tasked with doing things because that’s shorter than giving someone the task of doing something.” One might respectfully argue that “he asked me to clean my room” is shorter and better than “I’ve been tasked with cleaning my room.” But perhaps that speaks to Murphy’s thesis: English is full of inconsistencies and pitfalls, and no single set of standards is necessarily superior. This is an entertaining work that defends English’s so-called Americanization, and the author has a delightfully sardonic style, as when she tells Brits, “Americans call your football soccer because you taught them to….Soccer came from the full name of the game, association football. The word comes from England. You should be proud of it. There, that feels better.”

A passionate defense (or is it defence?) of the “fantastically flexible medium” that is English.

Pub Date: April 10, 2018

ISBN: 978-0-14-313110-6

Page Count: 368

Publisher: Penguin

Review Posted Online: Jan. 27, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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