by Lysa Mullady ; illustrated by Laurent Simon ‧ RELEASE DATE: Aug. 6, 2019
Color science and emotional literacy go fairly well together.
A text-heavy metanarrative about emotions and friendship.
The three primary colors (and characters), Red, Yellow, and Blue, spend time together, but Red is prone to outbursts and does not want to be involved in the business of Yellow or Blue. As Red grumpily pushes Yellow and Blue away, he realizes what he misses out on in isolation: the ability to make different colors such as orange and purple and the chance for friendship. With an apology, Red is able to rejoin forces with Yellow and Blue to make a sunset. Although the primary lesson is about collaboration, each color also celebrates what they can accomplish on their own. Fans of Amy Krouse Rosenthal and Tom Lichtenheld’s Friendshape (2015) or Michael Hall’s Perfect Square (2011) may find this title complementary. White negative space makes pill bug–shaped Red, sunburst-shaped Yellow, and raindrop-shaped Blue pop, drawing eyes right to the illustrations. Plain, serif black text feels crowded and at odds with the sparse page design and playful illustrations, which sometimes stretch from verso to recto. In some spreads, the text disrupts the playful art it is supposed to be working with. Even though the narrative might not seem novel and the art does seem occasionally clunky, it comes with a potentially useful note to adults on how to use the book to promote self-esteem and forgiveness.
Color science and emotional literacy go fairly well together. (Picture book. 4-8)Pub Date: Aug. 6, 2019
ISBN: 978-1-4338-3030-3
Page Count: 32
Publisher: Magination/American Psychological Association
Review Posted Online: June 15, 2019
Kirkus Reviews Issue: July 1, 2019
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by Gregory R. Lange ; illustrated by Sydney Hanson ‧ RELEASE DATE: May 1, 2019
New parents of daughters will eat these up and perhaps pass on the lessons learned.
All the reasons why a daughter needs a mother.
Each spread features an adorable cartoon animal parent-child pair on the recto opposite a rhyming verse: “I’ll always support you in giving your all / in every endeavor, the big and the small, / and be there to catch you in case you should fall. / I hope you believe this is true.” A virtually identical book, Why a Daughter Needs a Dad, publishes simultaneously. Both address standing up for yourself and your values, laughing to ease troubles, being thankful, valuing friendship, persevering and dreaming big, being truthful, thinking through decisions, and being open to differences, among other topics. Though the sentiments/life lessons here and in the companion title are heartfelt and important, there are much better ways to deliver them. These books are likely to go right over children’s heads and developmental levels (especially with the rather advanced vocabulary); their parents are the more likely audience, and for them, the books provide some coaching in what kids need to hear. The two books are largely interchangeable, especially since there are so few references to mom or dad, but one spread in each book reverts to stereotype: Dad balances the two-wheeler, and mom helps with clothing and hair styles. Since the books are separate, it aids in customization for many families.
New parents of daughters will eat these up and perhaps pass on the lessons learned. (Picture book. 4-8, adult)Pub Date: May 1, 2019
ISBN: 978-1-4926-6781-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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