Color science and emotional literacy go fairly well together.

READ REVIEW

RED YELLOW BLUE

A text-heavy metanarrative about emotions and friendship.

The three primary colors (and characters), Red, Yellow, and Blue, spend time together, but Red is prone to outbursts and does not want to be involved in the business of Yellow or Blue. As Red grumpily pushes Yellow and Blue away, he realizes what he misses out on in isolation: the ability to make different colors such as orange and purple and the chance for friendship. With an apology, Red is able to rejoin forces with Yellow and Blue to make a sunset. Although the primary lesson is about collaboration, each color also celebrates what they can accomplish on their own. Fans of Amy Krouse Rosenthal and Tom Lichtenheld’s Friendshape (2015) or Michael Hall’s Perfect Square (2011) may find this title complementary. White negative space makes pill bug–shaped Red, sunburst-shaped Yellow, and raindrop-shaped Blue pop, drawing eyes right to the illustrations. Plain, serif black text feels crowded and at odds with the sparse page design and playful illustrations, which sometimes stretch from verso to recto. In some spreads, the text disrupts the playful art it is supposed to be working with. Even though the narrative might not seem novel and the art does seem occasionally clunky, it comes with a potentially useful note to adults on how to use the book to promote self-esteem and forgiveness.

Color science and emotional literacy go fairly well together. (Picture book. 4-8)

Pub Date: Aug. 6, 2019

ISBN: 978-1-4338-3030-3

Page Count: 32

Publisher: Magination/American Psychological Association

Review Posted Online: June 16, 2019

Kirkus Reviews Issue: July 1, 2019

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Lit with sweetness.

SHARE SOME KINDNESS, BRING SOME LIGHT

Coco, who loves her gentle friend Bear, is shocked to learn that the other forest animals do not know about his kindness.

Inspired by one of her grandmother’s favorite maxims, Coco, a girl with light brown skin and curly brown hair, works with Bear to “share some kindness [and] bring some light” to the other animals in the forest. Interpreting it literally, the two make cookies (kindness) and lanterns (light) to share with the other animals. They trek through the snow-covered forest to deliver their gifts, but no one trusts Bear enough to accept them. As night begins to fall, Bear and Coco head home with the lanterns and cookies. On the way through the quiet forest, they hear a small voice pleading for help; it’s Baby Deer, stuck in the snow. They help free him, and Bear gives the young one a ride home on his back. When the other animals see both that Baby Deer is safe and that Bear is responsible for this, they begin to recognize all the wonderful things about Bear that they had not noticed before. The episode is weak on backstory—how did Coco and Bear become friends? Why don’t the animals know Bear better by now?—but Stott’s delicately inked and colored illustrations offer beguiling views of lightly anthropomorphized woodland critters that make it easy to move past these stumbling blocks. (This book was reviewed digitally with 10-by-18-inch double-page spreads viewed at 67% of actual size.)

Lit with sweetness. (Picture book. 4-8)

Pub Date: Oct. 27, 2020

ISBN: 978-1-5344-6238-0

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: July 28, 2020

Kirkus Reviews Issue: Aug. 15, 2020

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Haphazard but jolly enough for one outing; it probably won’t last for more.

THE CRAYONS' CHRISTMAS

From the Creative Creature Catcher series

A flurry of mail addressed to Duncan’s crayons ushers in the Christmas season in this novelty spinoff of the bestselling The Day the Crayons Quit (2013) and The Day the Crayons Came Home (2015).

Actual cards and letters are tucked into envelopelike pouches pasted to the pages; these are joined in some cases by other ephemera for a package that is likely to invite sudden, intense play followed by loss and/or damage that will render the book a disappointment to reread. That’s probably OK, as in contrast to the clever story that kicked this small series off, this outing has a hastily composed feel that lacks cohesion. The first letter is addressed to Peach from Mom and includes a paper doll of the “naked” (de-wrappered) crayon along with a selection of tabbed changes of clothing that includes a top hat and tails and a bikini top and bottom. Peach’s implied gender fluidity does not mitigate the unfortunate association of peach with skin color established in the first book. The sense of narrative improvisation is cemented with an early page turn that takes the crayons from outdoors snow play to “Feeling…suddenly very Christmas-y, the crayons headed inside.” Readers can unpack a box of punch-out decorations; a recipe for gluten-free Christmas cookies that begins “go to store and buy gluten-free cookies”; a punch-out dreidel (turns out Grey is Jewish); a board game (“six-sided die” not included); and a map of Esteban (aka Pea Green) and Neon Red’s travels with Santa.

Haphazard but jolly enough for one outing; it probably won’t last for more. (Novelty. 4-8)

Pub Date: Oct. 15, 2019

ISBN: 978-0-525-51574-6

Page Count: 52

Publisher: Penguin Workshop

Review Posted Online: Aug. 18, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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