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VANDELLA

A bumpy but vivid mix of adolescent angst and wildly untethered, nightmarish fantasy.

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Love and self-sacrifice catapult a dying teenager into the eerie realms of a terrifying underworld in this YA novel.

Seventeen-year-old Maia yearns after high school star quarterback Jase. But she lacks the confidence to try to shift their relationship out of the friend zone, especially after her childhood cancer returns and she ends up in the hospital with an iffy prognosis for survival. When a darkly clad stranger appears, prepared to take the soul of her grandmother—the teen’s only family—asleep by her bedside, Maia offers her own soul in exchange for her beloved relative’s life. The teen’s only condition: that she be reunited with her mother, who died giving birth to her. From here, Landa spins readers headlong into a jarring but intriguing odyssey through an underworld where dreams and nightmares trump logic. Calling himself Sidney, the stranger reveals that Maia’s soul-for-a-soul trade isn’t a done deal until she takes her grandmother’s place “in the pilgrimage of death,” bearing the medallion of Lazarus to “Death itself.” Neither dead nor alive, Maia finds herself on an old-fashioned steam train, targeted by gunmen and careening through a hurricane, earthquake, and fire. Soon, the train converges on a city where Old West cowboys mix with Roman guards, “cybergoth” girls, and knights of old. Finding disturbing revelations and bleak philosophical pronouncements along the way (“Death is no liberation from the joy and misery of life”), Maia progresses on foot through a foreboding forest with an escort of dead World War II soldiers, a vampiric guardian, and a demon-hunting Russian sniper who, in the book’s most horrific touch, packs bullets with his own flesh. After eventually confronting her own past and shattered expectations, Maia faces her ultimate, sacrificial test. The relentless stream of strangeness, rooted in magic realism, snags here and there on teen soap-opera mundanity (first-person narrator Maia labels enigmatic, shape-shifting, eternal Sidney “an arrogant, unabashed jerk” and the “type all women know too well”). But the series opener’s string of bizarre events is the impetus to keep reading. So is the discovery that the author has adroitly inserted certain fantastical plot points on the way to a moving resolution in the “real” world.

A bumpy but vivid mix of adolescent angst and wildly untethered, nightmarish fantasy.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Landa Publishing

Review Posted Online: May 31, 2021

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ANYA'S GHOST

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...

A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.

Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set. 

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)

Pub Date: June 7, 2011

ISBN: 978-1-59643-552-0

Page Count: 224

Publisher: First Second

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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  • New York Times Bestseller

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CARAVAL

From the Caraval series , Vol. 1

Immersive and engaging, despite some flaws, and destined to capture imaginations.

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Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.

Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.

Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)

Pub Date: Jan. 31, 2017

ISBN: 978-1-250-09525-1

Page Count: 416

Publisher: Flatiron Books

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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