A strange and effective debut novel about the powerful dynamics of father-son relationships and the casual violence of...
Hickmon’s taut, gripping fiction debut journeys into a world of subversive rock-and-roll, dark perversions and deep emotional scars.
The novel opens with a scene of precisely described violence: A man named Andrew opens his front door late at night to find Chris Pesner, his girlfriend’s 14-year-old son. The boy then pepper-sprays him in the eyes, breaks his kneecap with a baseball bat and shoots him dead. The story jolts forward to show Detective William Hursel arriving at the scene of the equally grisly murder of Chris’ mother, and when he examines the boy’s room for clues, he finds lots of memorabilia of the iconoclastic heavy-metal band Rehoboam. Hursel realizes that the boy is devoted to the band, but when he questions Chris’ girlfriend, Gina, she sets him straight on his preconceived ideas: “He isn’t into drugs or devil worship or any of that,” she says. “He listens to Rehoboam because the lyrics are intelligent.” The narrative then follows Rehoboam’s leader, Josh Sebala, who has scars of his own from his harsh upbringing by his strict Baptist preacher father. Although he suffers from nightmares, he knows that he has it good: Rehoboam is a success, and he’s found the love of his life in a girl named Lindsey Leif. But the narrative steadily darkens; Josh gradually loses control of his life, and fugitive Chris gradually enters a dark world of sexual perversion and human trafficking. Through it all, Hursel doggedly moves from crime scene to crime scene in Chris’ wake. Hickmon weaves these separate plots together with an unforced ease, as when he effectively portrays Rehoboam’s struggling early years in well-deployed flashbacks. The narrative’s lean, unadorned prose becomes intensely involving as the plot hastens to its climax and Chris becomes linked in the press with the heavy-metal band he loves so much.
A strange and effective debut novel about the powerful dynamics of father-son relationships and the casual violence of amoral subcultures.Pub Date: March 25, 2014
ISBN: N/A
Page Count: -
Publisher: Rehoboam Press
Review Posted Online: Jan. 18, 2014
Kirkus Reviews Issue: March 1, 2014
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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