A satisfying arc, from sadness to dawning hope and strength.

TURTLE BOY

A glum boy wants to stay in his bedroom with his turtles.

Twelve-year-old Will stole his turtles from nature, including one he knows perfectly well is endangered, but he needs them to help him feel calm while he’s hiding. Outside of his bedroom, schoolmates tease him for a mild facial disfigurement—calling him Turtle Boy not because of his pets but because of his chin, which is slowly receding—while Mom and Rabbi Harris pressure him to prepare for his bar mitzvah. A bar mitzvah community-service assignment forces him to befriend dying teen RJ, which gives Will flashbacks to when Dad died when Will was 4 and flash-forward fears to Will’s upcoming facial surgery (for medical reasons, not cosmetic). With a light touch and occasional humor (can a Jewish turtle eat ham? What if he’s Reform?), Wolkenstein successfully weaves together Will’s gloom and avoidance, grief (portrayed, appropriately, as distinct from depression), emotional progress, and Jewish practice. Will’s friendship with RJ and taking on of RJ’s bucket list—including a roller coaster, a middle school dance, a loud concert, and a pet (can an endangered turtle live in a hospital?)—as proxy grants Will a new centeredness and kick-ass drummer skills; it’s too bad that the life-lessons-from-dying-friend plot is such a cliché. Will and most characters seem white by default, with some diversity among secondary characters.

A satisfying arc, from sadness to dawning hope and strength. (Fiction. 10-14)

Pub Date: May 5, 2020

ISBN: 978-0-593-12157-3

Page Count: 400

Publisher: Delacorte

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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An extraordinary and timely piece of writing.

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HARBOR ME

Just before she begins seventh grade, Haley tells the story of the previous school year, when she and five other students from an experimental classroom were brought together.

Each has been bullied or teased about their difficulties in school, and several face real challenges at home. Haley is biracial and cared for by her white uncle due to the death of her African-American mother and her white father’s incarceration. Esteban, of Dominican heritage, is coping with his father’s detention by ICE and the possible fracturing of his family. It is also a time when Amari learns from his dad that he can no longer play with toy guns because he is a boy of color. This reveals the divide between them and their white classmate, Ashton. “It’s not fair that you’re a boy and Ashton’s a boy and he can do something you can’t do anymore. That’s not freedom,” Haley says. They support one another, something Haley needs as she prepares for her father’s return from prison and her uncle’s decision to move away. Woodson delivers a powerful tale of community and mutual growth. The bond they develop is palpable. Haley’s recorder is both an important plot element and a metaphor for the power of voice and story. The characters ring true as they discuss issues both personal and global. This story, told with exquisite language and clarity of narrative, is both heartbreaking and hopeful.

An extraordinary and timely piece of writing. (Fiction. 10-14)

Pub Date: Aug. 28, 2018

ISBN: 978-0-399-25252-5

Page Count: 192

Publisher: Nancy Paulsen Books

Review Posted Online: June 11, 2018

Kirkus Reviews Issue: July 1, 2018

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An endearing protagonist runs the first, fast leg of Reynolds' promising relay.

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GHOST

From the Track series , Vol. 1

Castle “Ghost” Cranshaw feels like he’s been running ever since his dad pulled that gun on him and his mom—and used it.

His dad’s been in jail three years now, but Ghost still feels the trauma, which is probably at the root of the many “altercations” he gets into at middle school. When he inserts himself into a practice for a local elite track team, the Defenders, he’s fast enough that the hard-as-nails coach decides to put him on the team. Ghost is surprised to find himself caring enough about being on the team that he curbs his behavior to avoid “altercations.” But Ma doesn’t have money to spare on things like fancy running shoes, so Ghost shoplifts a pair that make his feet feel impossibly light—and his conscience correspondingly heavy. Ghost’s narration is candid and colloquial, reminiscent of such original voices as Bud Caldwell and Joey Pigza; his level of self-understanding is both believably childlike and disarming in its perception. He is self-focused enough that secondary characters initially feel one-dimensional, Coach in particular, but as he gets to know them better, so do readers, in a way that unfolds naturally and pleasingly. His three fellow “newbies” on the Defenders await their turns to star in subsequent series outings. Characters are black by default; those few white people in Ghost’s world are described as such.

An endearing protagonist runs the first, fast leg of Reynolds' promising relay. (Fiction. 10-14)

Pub Date: Aug. 30, 2016

ISBN: 978-1-4814-5015-7

Page Count: 192

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: July 20, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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