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THE MISTRESS’S DAUGHTER

A MEMOIR

Ultimately off-putting and unappealing, due to a whiny, self-pitying attitude conveyed in overwrought prose.

Adopted as a newborn, novelist Homes (This Book Will Save Your Life, 2006, etc.) finally meets her biological parents.

The author embarked on this journey of self-discovery after being contacted by her biological mother, who gave birth to Homes as a result of an affair with her married employer at a Washington, D.C., dress shop. Ellen Ballman never wed, and she appears a lonely, erratic and needy lost soul to her 31-year-old daughter. Uneasy and frightened, Homes pushes her away, basically avoiding all but sporadic telephone contact after one face-to-face meeting. Upon learning of her death, Homes gathers Ballman’s meager papers and belongings, putting them aside for seven years before sifting through them in an unsuccessful attempt to discover who she really was. Meanwhile, the author’s biological father, still married with children, seems pleasant enough when she contacts him. They have several cordial lunches, and he persuades her to take a DNA test, which apparently confirms his paternity. But he never fulfills an early promise to introduce her to his family. Homes seems naïvely outraged by this, seemingly unaware how her presence around the Christmas dinner table might prove awkward for all concerned. Years later, after she has penned a thinly disguised magazine article about their relationship, he refuses to provide the DNA test and ceases all communication with her. We can’t help but wonder why the author, who kept her emotionally fragile mother at arm’s length, complains bitterly when her biological father does the same to her. Though fairly riveting in its early stages, the narrative sags noticeably when Homes launches a genealogical research project into both her biological and adoptive families. That exercise, like much of this unsatisfying and depressing story, proves to be of far more interest to the principals involved than to the reader.

Ultimately off-putting and unappealing, due to a whiny, self-pitying attitude conveyed in overwrought prose.

Pub Date: April 9, 2007

ISBN: 0-670-03838-5

Page Count: 240

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2007

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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