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The Ghost Princess

From the Graylands series , Vol. 1

This debut features a string of startling, satisfying twists wrapped up in mesmerizing fantasy.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2015

In this subversive debut fantasy, a fallen heroine is drawn into the schemes of madmen.

Alcoholic Katrina Lamont is in the frontier town of Dictum in the untamed Graylands that separate the Two Empires. While drinking away memories of her tragic past, she’s approached by the suave Rasul Kader who needs help tracking down a mystery woman with a grand destiny. “I’ve had enough destiny in my life,” she declares. Meanwhile, Capt. Deacon Marcus of the Sentry Elite has arrived in Dictum on a hunt for the stolen Dragon’s Fang dagger. He meets with Guardian Mage Elijah Warren, who informs him that a sickness is brewing in the nearby forest and he must investigate a possible breach into the Black, where evil rules. South of Dictum, in a fortress near the Dark Lands, the vile Jacob Daredin waits for his machinations to bear fruit. He possesses the Dragon’s Fang and needs only to spill royal blood during the Devil’s Moon to become all-powerful. And finally, there’s the legendary pirate Krutch Leeroy, whose agents have assaulted Katrina, pushing her to join Deacon Marcus on his quest in the Derelict Woods. Katrina, however, has no idea that she’ll soon confront the brutal, invincible Enforcer and a girl named Lily, whose fate overlaps with her own. If these “Travelers on a mission” and “talk of quests and destiny” make author Walsh’s debut seem like every other fantasy adventure, think again. His self-aware approach to genre blending (using not just orcs and gargoyles, but also a serial killer) provides a rigorous example of tight, engaged storytelling. The playful prose dances the line between silly and epic, like when Krutch is described as “a legit, real-deal pirate.” After the complex chess-style setup, Walsh begins savagely removing pieces from the board in ways that should satisfy fans of gory creature features. It’s Katrina and her incredible past, though, that make this a must for casual and hard-core fantasy readers.

This debut features a string of startling, satisfying twists wrapped up in mesmerizing fantasy.

Pub Date: April 14, 2015

ISBN: 978-1-5088-7319-8

Page Count: 324

Publisher: CreateSpace

Review Posted Online: June 26, 2015

Kirkus Reviews Issue: Aug. 1, 2015

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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