This debut features a string of startling, satisfying twists wrapped up in mesmerizing fantasy.
In this subversive debut fantasy, a fallen heroine is drawn into the schemes of madmen.
Alcoholic Katrina Lamont is in the frontier town of Dictum in the untamed Graylands that separate the Two Empires. While drinking away memories of her tragic past, she’s approached by the suave Rasul Kader who needs help tracking down a mystery woman with a grand destiny. “I’ve had enough destiny in my life,” she declares. Meanwhile, Capt. Deacon Marcus of the Sentry Elite has arrived in Dictum on a hunt for the stolen Dragon’s Fang dagger. He meets with Guardian Mage Elijah Warren, who informs him that a sickness is brewing in the nearby forest and he must investigate a possible breach into the Black, where evil rules. South of Dictum, in a fortress near the Dark Lands, the vile Jacob Daredin waits for his machinations to bear fruit. He possesses the Dragon’s Fang and needs only to spill royal blood during the Devil’s Moon to become all-powerful. And finally, there’s the legendary pirate Krutch Leeroy, whose agents have assaulted Katrina, pushing her to join Deacon Marcus on his quest in the Derelict Woods. Katrina, however, has no idea that she’ll soon confront the brutal, invincible Enforcer and a girl named Lily, whose fate overlaps with her own. If these “Travelers on a mission” and “talk of quests and destiny” make author Walsh’s debut seem like every other fantasy adventure, think again. His self-aware approach to genre blending (using not just orcs and gargoyles, but also a serial killer) provides a rigorous example of tight, engaged storytelling. The playful prose dances the line between silly and epic, like when Krutch is described as “a legit, real-deal pirate.” After the complex chess-style setup, Walsh begins savagely removing pieces from the board in ways that should satisfy fans of gory creature features. It’s Katrina and her incredible past, though, that make this a must for casual and hard-core fantasy readers.
This debut features a string of startling, satisfying twists wrapped up in mesmerizing fantasy.Pub Date: April 14, 2015
ISBN: 978-1-5088-7319-8
Page Count: 324
Publisher: CreateSpace
Review Posted Online: June 26, 2015
Kirkus Reviews Issue: Aug. 1, 2015
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A presold prefab blockbuster, what with King's Carrie hitting the moviehouses, Salem's Lot being lensed, The Shining itself sold to Warner Bros. and tapped as a Literary Guild full selection, NAL paperback, etc. (enough activity to demand an afterlife to consummate it all).
The setting is The Overlook, a palatial resort on a Colorado mountain top, snowbound and closed down for the long, long winter. Jack Torrance, a booze-fighting English teacher with a history of violence, is hired as caretaker and, hoping to finish a five-act tragedy he's writing, brings his wife Wendy and small son Danny to the howling loneliness of the half-alive and mad palazzo. The Overlook has a gruesome past, scenes from which start popping into the present in various suites and the ballroom. At first only Danny, gifted with second sight (he's a "shiner"), can see them; then the whole family is being zapped by satanic forces. The reader needs no supersight to glimpse where the story's going as King's formula builds to a hotel reeling with horrors during Poesque New Year's Eve revelry and confetti outta nowhere....
Back-prickling indeed despite the reader's unwillingness at being mercilessly manipulated.
Pub Date: Jan. 28, 1976
ISBN: 0385121679
Page Count: 453
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Jan. 1, 1976
PERSPECTIVES
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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