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DEAD SERIOUS AND LIGHTHEARTED

THE MEMORABLE WORDS OF MODERN AMERICA

From the Chance of a Lifetime series , Vol. 1

A solid and entertaining reference book packed with cultural highlights and pivotal moments from a wide array of sources.

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This first installment of an American history series covers 1957 to 1976.

Borgen (The Relevance of Reason, 2013) bravely undertakes the herculean task of presenting an overview of recent U.S. history. In the book’s early chapters, it is clear that he recognizes the challenges inherent in curating such a gargantuan project, taking great pains to justify the setting of parameters. First, the author neatly summarizes the problematic nature of history as a discipline of study. Even the choice of an official start date for what he terms Modern America is a cause for much understandable hand-wringing. He eventually settles on his selection: “In 1957, even amidst the consumerism, confidence, and enthusiasm for all things American, the ferment of change was starting. The winds of change were everywhere.” Borgen also points to the cultural effects of increased life expectancy, whereby four generations coexist, often uneasily, which creates room for misunderstandings and frames of reference that do not match up neatly, a phenomenon that he terms “multi-generational ignorance.” Thus, the author asserts, this project can serve a dual purpose: A younger audience encounters information perhaps for the first time, and older readers revisit past memories, with both groups hopefully gaining a broader perspective. As Borgen begins to move through the designated years, some portions of the text have the feel of an almanac, with lists that include bestselling books, Oscar-nominated films, highly rated television programs, and popular slogans from the worlds of politics and advertising. But each year also features a more substantive section titled “Memorable Words from Speeches, Books, Writings, and Other Sources.” Crucially, the author follows each of these entries with a concise explanation of “context, meaning, and impact.” Likewise, he includes information about seminal books that appeared within the same year, at times producing delightful juxtapositions like these three titles from 1957: Atlas Shrugged, On the Road, and The Cat in the Hat. While readers may notice the occasional minor error—such as rendering the TV series Charlie’s Angels as “Charley’s Angels”—the volume retains a depth that goes far beyond simple nostalgia. The work’s approach to the study of history may inspire the search for commonalities without erasing differences. As a bonus, Borgen provides helpful ancillary resources, including an index, 376 endnotes, and many appendices. 

A solid and entertaining reference book packed with cultural highlights and pivotal moments from a wide array of sources.

Pub Date: March 27, 2018

ISBN: 978-0-9997299-0-8

Page Count: 526

Publisher: Schmitt & Brody Publishers

Review Posted Online: July 26, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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