“So here’s the thing about being Baker Acted,” opens narrator Kenna, referring to a real-life Florida law called the Baker...

KISS OF BROKEN GLASS

Told in finely tuned free verse, this story about self-injury portrays an unusual root cause for cutting: peer pressure.

“So here’s the thing about being Baker Acted,” opens narrator Kenna, referring to a real-life Florida law called the Baker Act, which allows for involuntary psychiatric institutionalization for up to 72 hours. Kenna’s sent straight there when a friend catches her cutting herself in the school bathroom. Kenna’s steamed, because the girl who told on her is a cutter too, as is their whole social circle. Girls compare scars and slits, sharing tips for hiding pins and stealing blades. In what Kenna calls the Sisters of the Broken Glass, girls crowd around at lunch, “looking at my cuts, rubbing my shoulders, / dabbing me with I-feel-so-bad-for-you ointment.” Kenna has no single, specific inner trauma, only various (valid) unhappinesses; she feels like “just a copycutter. / A follower who did it to fit in. / And now I can’t stop.” Now she finds her scars “[p]retty as pink pearls” and craves the adrenaline: Cutting’s “like energy / moving through my body / in waves. // Rushing. / Cleansing.” Despite hipster references (John Green, Tony Hawk, Tumblr, Twitter), the simple characterizations could have made for a generic problem novel, but Kuderick’s keen diction and free-verse technique shine.

Pub Date: Sept. 9, 2014

ISBN: 978-0-06-230656-2

Page Count: 224

Publisher: HarperTeen

Review Posted Online: July 16, 2014

Kirkus Reviews Issue: Aug. 1, 2014

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An earnest but belabored story of love and cognitive disability.

ROSIE LOVES JACK

A teen with Down syndrome runs away to find her boyfriend when her parents forbid their relationship.

Sixteen-year-old Rose Tremayne and her boyfriend, Jack, were made for each other. Jack, who was born with a brain injury, helps Rosie with reading and writing; Rosie calms his anger issues. But after a violent outburst, Jack is sent away—and Rosie’s parents think she should forget him. Rosie resolves to find Jack herself, taking the train to London alone and venturing into the city’s labyrinthine subway system. As she copes with transportation setbacks, she encounters assorted strangers—some kind and some with unsavory intentions. Though secondary characters lack depth, Rosie’s narration sympathetically expresses her determination, frustration, and naïveté in equal measure, and others’ patronizing and rude reactions to her disability are sadly realistic. However, much of the plot feels contrived. Despite Darbon’s efforts to show that Rosie is more than her Down syndrome, she doesn’t escape being a symbol of childlike innocence, a problematic trope. While a twist darkly demonstrates how people with intellectual disabilities can be targets of abuse, its execution is somewhat implausible. Portrayed primarily through Jack’s misspelled postcards and florid prose such as “The sun came out in my head and my heart grew wings and took me up to the moon,” the romance never quite feels three-dimensional; the ending, though touching, is rather pat. Most characters default to White.

An earnest but belabored story of love and cognitive disability. (author's note) (Romance. 14-16)

Pub Date: March 1, 2021

ISBN: 978-1-68263-289-5

Page Count: 352

Publisher: Peachtree

Review Posted Online: Dec. 15, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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Overall, a solid debut.

THE HEARTBEATS OF WING JONES

In 1995 Atlanta, a mixed-race girl finds a way to stand out on her own terms.

Wing and her brother, Marcus, attract attention because they're half Chinese, half black. While Marcus is a football hero, Wing suffers bullying from a mean girl and secretly pines for Aaron, Marcus' best friend, a black boy. Everything changes when Marcus, while driving drunk, kills two people and falls into a coma. Wing feels completely alone; neither her mother nor her grandmothers, LaoLao and Granny Dee, seem to know what to do. So Wing starts running in secret, prodded by her imaginary dragon and lioness, which she has not seen since her father died. She feels free when she runs, as though she can outrun all her mixed emotions. When Aaron finds out, he encourages Wing, and they grow closer even as the situation at home worsens. A running sponsorship could save her family—but in trying to chase that sponsorship, will Wing lose the one thing that makes her feel free? The choice of time period feels unjustified—this story could have been equally true in 2016—and the device of the dragon and lioness feels forced. Nevertheless, Wing's sense of isolation is well-captured, and her grief and confusion are raw and moving.

Overall, a solid debut. (Historical fiction. 14-16)

Pub Date: March 14, 2017

ISBN: 978-0-399-55502-2

Page Count: 336

Publisher: Delacorte

Review Posted Online: Dec. 6, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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