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MANY WATERS

Sandy and Dennys, twins and middle children in the Newbery-winning A Wrinkle in Time, are transported to the time just before the Flood. With a Finn grounding in Genesis, this is the kind of intricate tale with complex characters and relationships that L'Engle's readers have come to expect. Her ancient world of desert and oasis are stark in their simplicity, yet the evils precipitating the Flood mirror today's. Old customs are flouted; even Noah has quarreled with his father, and young women are wedding nephilim, biblical "giants in the earth," drawn here as fallen angels who change from man to beast at will. The boys, 15, become compassionate participants in preflood events, helping where they can (they reconcile Noah with his father) but always aware that they're "not supposed to change the story." Poignantly, they realize that the flood failed in the long term; human nature is the same. Noah was before Babel; L'Engle's universal "Old Language" is spare, direct, without colloquialisms. Her reiterated descriptions—baboons clapping at dawn, the brilliance of the singing stars—lend a mythic timelessness to the setting. A carefully wrought fable, entwining disparate elements from unicorns to particle physics, this will be enjoyed for its suspense and humor as well as its other levels of meaning.

Pub Date: Sept. 1, 1986

ISBN: 0374347964

Page Count: 328

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: Aug. 15, 1986

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THE POISONED KING

From the Impossible Creatures series , Vol. 2

A spectacular return to a magical world.

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Following the events of Impossible Creatures (2024), a devoted Guardian teams up with a brave princess to fight her power-hungry uncle and save the Archipelago’s dragons from a strange new threat.

Jacques the dragon summons Christopher Forrester back to the Archipelago from the human world: Dragons are dying, and no one knows why. Meanwhile, on the island of Dousha, Princess Anya’s grandfather, King Halam, has been murdered, and her father accused—though she knows he’s innocent. When Christopher and Anya take refuge on the islet of Glimt, the Berserker Nighthand helps them see how their twin missions to save the dragons and free Anya’s father are connected. They work together to create an antidote for the poison that’s killing the dragons and to keep Anya and her father safe from her murderous uncle. Meanwhile, Nighthand and Irian, the part-nereid ocean scholar, pursue their own important secret mission. Divided into three parts—“Castle,” “Dragons,” and “Revenge”—and containing elements of fairy tales, fantasy, and Shakespeare, this story continues the storyline established in the series opener, yet because it introduces new characters and obstacles, it could also stand alone. Dark-blond Anya (“five feet tall and all of it claws”) is a match for white-presenting Christopher, who, though he still misses Mal, finds that “it made a difference to have someone to move through the world with again. A friend changed the feel of the universe.” Mackenzie’s delicate, otherworldly art adorns the text.

A spectacular return to a magical world. (map, bestiary) (Fantasy. 10-15)

Pub Date: Sept. 11, 2025

ISBN: 9780593809907

Page Count: 304

Publisher: Knopf

Review Posted Online: May 30, 2025

Kirkus Reviews Issue: July 1, 2025

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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