by Madeleine L'Engle & adapted by Hope Larson & illustrated by Hope Larson ‧ RELEASE DATE: Oct. 2, 2012
Larson’s admiration and respect for the original text shines through; this is an adaptation done right.
A faithfully adapted graphic novel of the beloved 1962 classic, just in time to celebrate its 50th anniversary.
With a keen eye, Eisner Award winner Larson (Mercury, 2010) doesn't stray a moment from L'Engle’s original text, following the Murry children, Charles Wallace and Meg, and their friend, Calvin O’Keefe, as they tesser through outer space looking for Meg and Charles Wallace's lost father. Larson's illustrations are clear and concise, neatly ordered across each page with a tidy sensibility. While it is an amazingly envisioned and sophisticatedly stylized offering, some purists may be slightly put off by the three-color black, white and blue palette. It's difficult to see The Man with Red Eyes with baby blue eyes, or to miss out on her rainbow wings when Mrs. Whatsit morphs into the centaurlike creature on Uriel. Minor grievances aside, this is a stunning reimagining of L'Engle’s Newbery-winning tale, and it should entrance old and new readers alike. Adaptations can be difficult to execute with style and grace; Larson manages to do both and still add her own flair.
Larson’s admiration and respect for the original text shines through; this is an adaptation done right. (Graphic fantasy. 9-14)Pub Date: Oct. 2, 2012
ISBN: 978-0-374-38615-3
Page Count: 392
Publisher: Margaret Ferguson/Farrar, Straus & Giroux
Review Posted Online: Aug. 14, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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SEEN & HEARD
by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: May 14, 2013
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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BOOK TO SCREEN
by J. Torres ; illustrated by David Namisato ‧ RELEASE DATE: Oct. 5, 2021
An emotional, much-needed historical graphic novel.
Sandy and his family, Japanese Canadians, experience hatred and incarceration during World War II.
Sandy Saito loves baseball, and the Vancouver Asahi ballplayers are his heroes. But when they lose in the 1941 semifinals, Sandy’s dad calls it a bad omen. Sure enough, in December 1941, Japan bombs Pearl Harbor in the U.S. The Canadian government begins to ban Japanese people from certain areas, moving them to “dormitories” and setting a curfew. Sandy wants to spend time with his father, but as a doctor, his dad is busy, often sneaking out past curfew to work. One night Papa is taken to “where he [is] needed most,” and the family is forced into an internment camp. Life at the camp isn’t easy, and even with some of the Asahi players playing ball there, it just isn’t the same. Trying to understand and find joy again, Sandy struggles with his new reality and relationship with his father. Based on the true experiences of Japanese Canadians and the Vancouver Asahi team, this graphic novel is a glimpse of how their lives were affected by WWII. The end is a bit abrupt, but it’s still an inspiring and sweet look at how baseball helped them through hardship. The illustrations are all in a sepia tone, giving it an antique look and conveying the emotions and struggles. None of the illustrations of their experiences are overly graphic, making it a good introduction to this upsetting topic for middle-grade readers.
An emotional, much-needed historical graphic novel. (afterword, further resources) (Graphic historical fiction. 9-12)Pub Date: Oct. 5, 2021
ISBN: 978-1-5253-0334-0
Page Count: 112
Publisher: Kids Can
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
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