edited by Madeline Smoot & Hope Erica Schultz ‧ RELEASE DATE: May 1, 2016
Useful fare for creative-writing classes but more significantly, an above-average set of takes on a worthy theme.
Nineteen rising stars answer a challenge to write in a distinctive narrative frame native to East Asian literature, offering visions of alien contact, escape from repression, and exploits in alternate, virtual, and extraterrestrial worlds.
The editors begin their collection by loosely defining the four-stage form commonly transliterated as “Kishotenketsu" as storytelling in which conflict is just another element in the authorial toolbox rather than, as in Western conventions, central to plots and themes, inviting readers to see peacemongering as the common thread here. Though folding in violence either implied or explicit, most of the contributors work ingenious twists on this notion. Potential wars with aliens are headed off by new friends of different species who discover that the translation program their diplomat parents are using has been hacked (“In Other Words”) and also when a Pakistani village welcomes a pair of “Unexpected Guests” with tea. A transgender child crosses a personal “Threshold” by fighting off a bully at the boundary between this world and the magical Hidden Lands. Contrary to mythology, there is, it turns out, an afterlife “Beyond the Promised Land” for dead Viking heroes who weary of slaughtering one another over and over again in Valhalla. The stories range in length from short shorts on up, and if none of their authors are household names (yet), each is well-crafted and thought-provoking in both form and content.
Useful fare for creative-writing classes but more significantly, an above-average set of takes on a worthy theme. (Science fiction/fantasy short stories. 11-14)Pub Date: May 1, 2016
ISBN: 978-1-933767-51-2
Page Count: 232
Publisher: CBAY
Review Posted Online: March 1, 2016
Kirkus Reviews Issue: March 15, 2016
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by Rae Carson ‧ RELEASE DATE: Sept. 1, 2011
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...
Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.
Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)Pub Date: Sept. 1, 2011
ISBN: 978-0-06-202648-4
Page Count: 432
Publisher: Greenwillow Books
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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by Rae Carson
by Ransom Riggs ‧ RELEASE DATE: June 7, 2011
A trilogy opener both rich and strange, if heavy at the front end.
Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.
The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.
A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)Pub Date: June 7, 2011
ISBN: 978-1-59474-476-1
Page Count: 234
Publisher: Quirk Books
Review Posted Online: March 30, 2014
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by Ransom Riggs ; illustrated by Andrew Davidson
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by Ransom Riggs ; illustrated by Jim Tierney
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by Ransom Riggs
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