Binchy remains the queen of spiritual comfort, but this time round she’s stretched interest thin with ups and downs too many...
A Dublin neighborhood full of many of the characters who frequently pass through Binchy’s Irish novels (Heart and Soul, 2009, etc.) bands together to help a young single father raise his daughter.
Aware she will not survive her baby’s birth, fatally ill Stella tells alcoholic loner Noel that he is the father. He doesn’t remember having actual sex with Stella and is far from certain he wants or can handle the responsibility. But with the help and encouragement of his cousin Emily, in Dublin on an extended visit from New York, Noel stops drinking and takes custody of baby Frankie after Stella’s death at St. Brigid’s Hospital. His transformation from loser to responsible, loving father and his struggle to convince his uptight social worker that he is fit to raise Frankie forms the central plot. But once Noel’s in AA and night school, he pales as a character. After so many novels, Binchy’s recurring characters have become so numerous that even devotees may have trouble keeping track. Here, hospital administrator Frank Ennis is the one to watch as he reaches out to the grown son he never knew he had. As usual, Binchy’s supporting characters steal the show. Social worker Moira seems like the stereotypical uptight bureaucrat at first, but her loneliness and painful self-awareness of her failure to connect to others become increasingly heart-wrenching. Moira has to overcome an unhappy family situation, as does Lisa, a graphic artist who moves in as Noel’s platonic housemate to escape her parents’ sham marriage, although she’s in her own sham love affair with a flashy restaurateur. Circling everywhere, boringly perfect Emily has an uncanny ability to ask the right question and solve problems—everyone in Noel’s life has a story. A dram of sorrow leavens the predictably happy ending.
Binchy remains the queen of spiritual comfort, but this time round she’s stretched interest thin with ups and downs too many and too mild.Pub Date: March 1, 2011
ISBN: 978-0-307-27356-7
Page Count: 384
Publisher: Knopf
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Dec. 15, 2010
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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