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THE LONG-WINDED LADY

NOTES FROM THE NEW YORKER

Brennan’s luminous writings graced the New Yorker’s “Talk of the Town” section for nearly 30 years. Dating mostly from the 1960s, these “moments of recognition,” as she called them, are delicately crafted summonings of a New York City that has mostly disappeared. Her sketches of life in Times Square and Greenwich Village ran under Brennan’s “Long-Winded Lady” pseudonym from 1954 to 1981. No other writer has so subtly or effectively captured “the ordinary ways” of the city’s denizens. Eavesdropping in restaurants, in bars, and on street corners, Brennan illuminated the human condition with deceptive simplicity. Observing two “opulently shaped girls” at the Adams Restaurant on West 48th St., she notes, “Their walk was sedate, as it might well be . . . their dresses did all the work.” Watching a bejeweled, overdressed woman breakfasting at the Plaza, Brennan wonders, —Was she splendidly unselfconscious, or was she ridiculous? I didn’t know. I was tired of her.” She mentions, in passing, the apartments she kept, uptown and downtown, over the years, and decries the coming of the 1960s “ogre called office space” that displaced townhouses and brownstones on the avenues she knew so well. Whether relating a clumsy encounter on the subway or etching a street scene, Brennan wrote extraordinary sentences such as this one, describing Washington Square at 6 a.m. following a night of rain: “The air was mild and fresh, and shone with a faint unsteadiness that was exactly like the unsteadiness of color inside a seashell.” Nine previously uncollected pieces are included here, in addition to the 47 that appeared in the book’s 1969 edition. Brennan exemplifies what the old New Yorker was all about.

Pub Date: Nov. 2, 1998

ISBN: 0-395-89363-1

Page Count: 288

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1998

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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