Six episodes feature familiar childhood experiences with three enterprising siblings and their parents, who manage to transform conflict into good cheer despite the circumstances. Bigun's thrill at getting his first bike sours when he can't balance, and he's furious when he catches younger sister Middlun riding it; still, she offers a useful tip—and then cleverly ensures that he doesn't take his revenge. When a beach weekend seems doomed by fog, cold, and delays, resourcefulness and patience will result in an exhilarating time. Despite the abundant detail and dialogue, the characters remain flat, while some incidents—the delays encountered en route to the beach, or Middlun winning a poster competition—are predictable. Published in 1990 in Britain, this edition is Americanized but still doesn't explain the mysterious acronym ``NCCAFA.'' Soft pencil illustrations capture the children absorbed in work and play. Adequate, but not essential. (Fiction. 5-8)
Pub Date: April 1, 1992
ISBN: 1-56402-003-7
Page Count: 106
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1992
BOOK REVIEW
The Hunchback of Notre Dame (40 pp.; $15.95; Sept. 1997; 0-531- 30055-2): A storybook retelling of Hugo's classic of the lonely bellringer and his hopeless love for the beautiful gypsy girl, Esmerelda, whom he rescues from hanging and the evil archdeacon Dom Frollo and reunites with her mother. While remaining relatively faithful to the original, this version from Wynne- Jones (The Maestro, 1996, etc.) is always competent, but never compelling. Slavin creates lovely illustrations, but his pale washes leave even the most festive scenes sedate. The volume lacks power or emotion; adults seeking an alternative—any alternative—to the Disney film may find that this one hardly competes for the hearts and minds of the target audience. (Fiction. 5-8)
Pub Date: Sept. 1, 1997
ISBN: 0-531-30055-2
Page Count: 40
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1997
BOOK REVIEW
Pretty, though as condensations go, less Wonder-full than Robert Sabuda’s pop-up Alice (2003) or the digital Alicewinks...
A much-abridged version of the classic’s first five chapters, dressed up with large and properly surreal illustrations.
Rhatigan and Nurnberg retain “Curiouser and curiouser!” and other select bits of the original while recasting the narrative in various sizes of type and a modern-sounding idiom: “Tiny Alice needed something special to eat to get back to her regular girl size.” They take Carroll’s bemused young explorer past initial ups and downs and her encounter with a certain (here, nonsmoking) Blue Caterpillar. Looking more to Disney than Tenniel, Puybaret casts Alice as a slender figure with flyaway corn-silk hair and big, blue, widely spaced eyes posing with balletic grace against broadly airbrushed backdrops. Leafless trees and barren hills give Wonderland an open, autumnal look. The odd vegetation adds an otherworldly tone, and compact houses and residents from the White Rabbit and the Dodo to occasional troupes of mice or other small creatures in circus dress are depicted with precise, lapidary polish. A marginally relevant endpaper map (partly blocked by the flaps) leads down the River of Tears, past a turnoff for a Bathroom and on toward “the Tea Party.”
Pretty, though as condensations go, less Wonder-full than Robert Sabuda’s pop-up Alice (2003) or the digital Alicewinks (2013). (Picture book. 5-8)Pub Date: Feb. 24, 2015
ISBN: 978-1-62354-049-4
Page Count: 28
Publisher: Charlesbridge
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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